The eccentric Countess Aurelia (Janet Paone) reigns over a cafe in Paris, where her employees Nina (Sheena Janson) and Alain (Shawn Vriezen, the first deaf actor that TTT has worked with) serve champagne to their customers instead of water. When a prospector (Kris Nelson) insists on tasting the water, he detects a hint of oil, and reports the news to three greedy businessmen (Fred Wagner, Thomasina Petrus, and Christina Baldwin). They decide to blow up the cafe and send their assistant Julian (JuCoby Johnson) to do the job. Unlike the businessmen, Julian has a heart and a conscience and is reluctant to go through with it, especially after meeting and instantly falling in love with Nina (it is a musical, after all). So the Countess calls upon the Sewer Man (Kris again) and her two friends (Thomasina and Christina again) to help her save the world.
The songs of the musical are a mix of silly (the Sewer Man singing about "Garbage") and sweetly romantic (Aurelia's wistful "And I Was Beautiful" and Nina's hopeful "I've Never Said I Love You"). TTT's resident Music Director Peter Vitale once again brilliantly orchestrates this full Broadway score using just one or two instruments (playing them all himself, with occasional assistance from a cast member), and knows when to use a clarinet or an accordion or keyboard to create just the right mood. The incorporation of ASL into musicals is a trend of which I highly approve (see also Deaf West's achingly beautiful Broadway production of Spring Awakening). There's something about sign language that's so beautifully expressive, adding another layer of meaning to the words and music (and now I can add "dear world" to "I don't do sadness" in my limited ASL vocabulary).
In typical Ten Thousand Things fashion, the show is presented in a small and fully lit room with just a few rows of chairs delineating the square "stage" space. This allows the focus to be squarely on the marvelous and playful performances of the cast. The set pieces are minimal but effective, and the versatile quick-change costumes help to instantly create the characters (set design by Stephen Mohring, costume design by Moria Sine Clinton).
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| the cast of Dear World |
The world of this musical is sick, and the characters want to heal it. There are too many examples of the sickness of the world we live in today, and wouldn't we all love to heal the world in the course of an afternoon? "If one person can beat a drum, and one person can blow a horn, and one person can hold a torch, then one person can save the world!" It's a lovely and hopeful thought. Ten Thousand Things has chosen the musical that we most need that we didn't even know we needed! You have eight more chances to experience this remarkable healing of the world in the course of an afternoon - don't miss it!
Someone has wounded you, dear world,
Someone has poisoned you, dear world.
And those who love you defiantly insist
That you get off that critical list.
So make your recovery quick, world,
We're sick of having a sick world.
We want you dancing tomorrow afternoon,
We want you dancing tomorrow afternoon,
So be a dear world,
Take the stitches out, dear world,
Rip the bandage off, dear world,
And get well soon!
