After being kicked out by his parents at age 7, as is the ogre way, Shrek is living a solo life on his swamp, telling himself he's happy away from the "Big, Bright, Beautiful World." The swamp is soon invaded by a bunch of fairy tale characters, from Pinocchio to the Big Bad Wolf, who were banished from the city of Duloc by the evil Lord Farquaad. Shrek heads to Duloc to try to remedy the situation, and picks up Donkey along the way, his new best friend and a constant source of annoyance. The vertically challenged Farquaad takes the opportunity to send Shrek on a task that he's unwilling to do himself - rescue Princess Fiona from her tower so that he can marry her and become King. Fiona has been waiting all her life for a knight to rescue her, just like in the fairy tales. She's somewhat disappointed when her rescuer is an ogre, but is reassured when they tell her they're taking her to a Lord in a castle. Along the way something unexpected happens - Shrek and Fiona realize they have a lot in common, from their unhappy childhoods (leading to the charming song "I Think I Got You Beat") to their talent in making bodily noises. But secrets, miscommunication, and expectations lead Fiona to go through with the wedding, until Shrek comes to stop it by telling her the truth about his feelings for her and the man she's about to marry. And these two crazy ogres and their wonderfully freakish friends live happily ever after.*
Highlights of the show include:
- Brian Proball's scenic design sets the tone for the show - almost too bright colors that let you know this is going to be a fun and fantastical story. Turf like Easter grass, big bold fake flowers, movable two-dimensional trees, a hollowed out tree trunk, and a tower with rotating top and staircase are just a few of the fun marvels on stage.
- Samantha Kuhn Staneart's costume design matches this bold and colorful tone, and she has great fun with all the fairy tale creatures to be clothed in crazy extremes, while still allowing for movement. Which brings me to...
- Choreographer Lauri Kraft has devised some fun dance numbers for this large and capable ensemble that barely fits on the stage!
- As the ogre Shrek and the princess Fiona, Martino Gabriel-Mayotte and Anna Larranaga are perfectly cast and utterly charming. Both have beautiful voices that they use to great comedic effect, and aren't afraid to let their freak flags fly in this unconventional fairy tale love story.
- After some disappointment in the past, I'm happy to report that this large ensemble is not only talented and versatile, but also much more diverse than is usually seen on Lyric Arts' stage, a trend I hope to see continue! Everyone does a great job handling multiple roles, not to mention manipulating the set pieces. Standouts include Ricky Morisseau's lovable wise-cracking donkey; Kyler Chase's Lord Farquaad performed almost entirely on his knees, with dramatic hair flips; Katharine Strom in multiple roles including the lovesick dragon (embodied by Gabriel Gomez sand Nate Otto's fantastic puppet design); and the adorable little Natalie Tran, working as hard and playing as many roles as the grown-ups.
- The book and score is chock full of musical theater references, from Gypsy to Wicked to Dreamgirls, and more!
- Last but not least, the awesome 12-piece off-stage band led by Louis Berg-Arnold keeps the music rolling through the different styles of songs. I only wish they were visible, although I was able to sneak a peek at the TV screens at the back of the house showing the conductor. #bandgeek
*Plot summary borrowed from my post about Children's Theatre Company's 2014 production.
