The show begins inside the theater, where Ricardo gives a wonderful opening speech setting the stage and asking the audience to help him invite death into the space. But not in a scary way, in a respectful and celebratory way, acknowledging that death is a part of life (and very much a part of this wedding, the basic story of which is that the bride runs away from her groom and family with her ex-boyfriend Leonardo, the groom follows them into the woods, and the groom and Leonardo kill each other). After a theater/dance/music performance on the stage, the audience is split into groups and led around the theater by a guide. I was in Daveed's (aka Zach Garcia) group and we began in the backstage area, soon moving through hallways and into rooms. As is the case with these sort of things, there are occasional logistical issues that come from moving large groups of people in opposite directions around a space, but that's part of the experience of this piece. It's not the usual passive "sit in your seat and let it wash over you" kind of theater; it's "get up and walk around - see, smell, taste, experience" kind of theater.
Performances include:
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| a map of the space |
- Thrilling flamenco dance by Susana Di Palma.
- Beautiful and mysterious puppetry by Gustavo Boada.
- A wedding reception with music by a "wedding singer" played by Maria Isa, along with a few dramatic scenes.
- A visit to a spiritual and natural medicine healer played by Armando Gutiérrez G.
- Shadow puppetry in the shack of dead Leonardo's friend, played by Daro Tangelson (adept at this sort of improvisation/interaction with the audience, really playing off their energy).
- Following a sparring/romancing couple (Elohim Peña and Audrey Park) down a hallway in what was almost a too up-close-and-personal-experience.
I enjoyed all of the pieces, and it's really interesting to see the same story interpreted by different artists in different artforms. The more straight-forward scenes of the play are intriguing; I would love to see the entire play with Stephanie Bertumen as the bride, Zach Garcia as the groom, Elohim Peña as Leonardo, Audrey Park as his wife, and the rest of the cast of whom we only saw a brief glimpse. This is a full and complete experience of Blood Wedding, that somehow also left me wanting to see more of it.
Jessica and Ricardo have succeeded in their goal of creating "an inclusive and global theater experience." They've also succeeded in creating what was one of the most diverse audiences I've ever seen at the theater. There were people of many different races, speaking different languages, there were kids, teenagers, young adults, middle aged people, and senior citizens. It was really lovely to watch all these different people come together for a unique theatrical experience that all could enjoy. Only two more performances of The Palabras* Project remain, tonight and Sunday afternoon, so act fast to catch this multidisciplinary theatrical event.
*Google tells me that palabras means speech, which is something to contemplate.
