At the beginning, the play is structured as a series of short scenes utilizing two or three of the cast members, conversations between lovers or coworkers or family. Scenes have commonalities (see the opening sentence of this post, as well as the feeling of being tired and not understanding). Titles are projected onto a screen behind the stage:
- Revolutionize language (invert it): a negotiation between lovers
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| Grant Henderson and Joy Dolo (photo by Tony Nelson) |
- Revolutionize the world (do not marry): a marriage proposal with unexpected results
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| Gabriel Murphy and Emily Grodzik (photo by Tony Nelson |
- Revolutionize work (engage with it): an employee's simple request of her employer
- Revolutionize the body (make it sexually available always): a grocery store shopper who does more than shop for groceries
- Revolutionize the world (don't reproduce): three generations of a family have dinner
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| Charla Marie Bailey, Jane Froiland, and Emily Grodzik (photo by Tony Nelson) |
Things start to get a little wild in the last scene as more titles roll by, which leads into the aforementioned organized chaos that is GALVANIZE. So many things happening at once it's impossible to catch them all, or even try. Short scenes or single lines of dialogue that range from disturbing to funny (I couldn't help but laugh at Joy Dolo twirling through the chaos announcing, "I am literally wearing no make-up!"). And then finally, a call to action, because "the thought isn't enough." Wow, does that ring true right now.
Frank's Artistic Director Wendy Knox does an amazing job as director here, keeping the chaos somewhat controlled and setting the right tone in each scene. And she has a wonderful cast to work with (Charla Marie Bailey, Emily Grodzik, Gabriel Murphy, Grant Henderson, Jane Froiland, and Joy Dolo) who are all fierce and vulnerable and committed to the storytelling. Kellie Larson's properties design is utterly fascinating, with varied accoutrements of daily life (particularly a woman's life) hanging from the ceiling, including dolls, pots and pans, silverware, glasses, bras, shoes, and what I believe were My Little Ponies in a cage. The cast was dressed in crazy/cool costumes (designed by Kathy Kohl) that helped define the multiple characters.
Revolt. She Said. Revolt Again continues through October 22 at the new Gremlin Theatre space, which I always like to point out is next to Lake Monster Brewing. You might need a drink (or three) after this one. There's a lot to unpack with this one, so take note of the post-show discussions following Sunday matinees involving experts on the topic.
Revolt. She Said. Revolt Again continues through October 22 at the new Gremlin Theatre space, which I always like to point out is next to Lake Monster Brewing. You might need a drink (or three) after this one. There's a lot to unpack with this one, so take note of the post-show discussions following Sunday matinees involving experts on the topic.
