"Clue" on tour at the Orpheum Theatre

A newish 90-minute non-musical stage adaptation of the cult classic 1985 movie Clue is going on tour, and it's premiering right here in Minneapolis! I'm not a particular fan of this movie, in fact I watched it for the first time just last week (#research). I found the movie to be quite delightful, and the play even more so. First of all, I love a 90-minute show at the Orpheum Theatre, when you don't have to sit through a 20-minute intermission (or worse yet stand in line for the bathroom for 20 minutes), or stay up past 11pm (#morningperson). Secondly, it's a really fun mystery with lots of wordplay, clever nods to the popular board game, and hilarious physical comedy. The 90 minutes are jam-packed with laughs, the mystery part taking a back seat to the entertainment factor. If you're looking for a different kind of tour that's non-musical, short and sweet, and a fun time, check out the premiere of Clue through March 3 only, after which it will embark on a tour across the country.

"On Beckett" at the Guthrie Theater

Friends, you're in for a treat. If you're an actor, or writer, or poet, or director, or any kind of artist, Bill Irwin's solo show On Beckett should be required viewing. And if you're not an artist, but you love art and listening to artists talk about their work (like me), you're going to love it too. Bill Irwin is a veteran actor of screen and stage (he won the 2005 Tony for best actor in a play for Who's Afraid of Virginia Woolf?), as well as a clown, as well as a decades-long student of playwright/author Samuel Beckett. So seeing him in anything is a treat, but seeing him in this very personal piece in which he talks about his love for (and sometimes frustration with) the work of Beckett is a rare delight. Whether or not you're familiar with Beckett (I'd only seen his most famous play, once), On Beckett is a riveting 90 minutes spent with a talented and passionate artist. See it at the Guthrie now through March 24.

"Wine in the Wilderness" at Penumbra Theatre

Last weekend, I saw four plays written by women. The first three were by living playwrights (Grace McLean's musical In the Green, Lauren Gunderson's Silent Sky, and Keiko Green's world premiere Hells Canyon), and the fourth was by Alice Childress, one of the most prolific Black female playwrights of the 20th Century, who had her Broadway play debut just a few years ago - Trouble in Mind (which the Guthrie produced a few years earlier). Her plays seem to be having a resurgence in recent years, and it's about time. In 2017 Penumbra Theatre Company produced the gorgeous and devastating Wedding Band, and now they're presenting Wine in the Wilderness, about an artist painting Black women in 1960s Harlem. It's a thoughtful and thought-provoking exploration of the intersection of race and gender, as always beautifully done by Penumbra.

"Hells Canyon" by Theater Mu at Jungle Theater

The world premiere new play Hells Canyon is a revenge fantasy, in which the revenge comes almost 140 years after the crime - the murder of 34 Chinese goldminers in Oregon. The spirits of the murder victims are restless, and use a group of friends having a fun getaway at a cabin to enact their revenge. It's modern dramedy-horror with social commentary, in the vein of Get Out. Horror isn't really my thing, but this play is thrilling. It'll make you laugh, and think, and feel, and maybe jump out of your seat a little. Theater Mu's production is brilliantly cast with an incredible design that pulls off some real scares, and it's a must-see, especially if you're a fan of the horror genre (and even if you're not). It plays at the Jungle Theater* Wednesdays through Sundays until March 17. 

"Silent Sky" at Theatre in the Round

One of America's most produced playwrights of recent years, Lauren Gunderson is known for writing plays about women in history and/or science that are modern, feminist, funny, and moving. Silent Sky is one of her most popular - it's now receiving it's third #TCTheater production (I love it, but I'd also love to see The Half-Life of Marie Curie, or Emilie: La Marquise du Châtelet Defends Her Life Tonight, or any and all of her other plays). Silent Sky features little known astronomer Henrietta Leavitt, who figured out a way to measure the universe, laying the foundation for more well-known (male) scientists like Edwin Hubble. In Gunderson's hands, Henrietta is a very real and relatable woman, who wants to do work that matters, and maybe also have a little fun along the way. With a strong five-person cast and elegantly simple design, Theatre in the Round's Silent Sky is entertaining and inspirational. Who knew science could be so dramatic and emotional?! (Lauren Gunderson, that's who.)

"In the Green" by Theatre Elision at Elision Playhouse

For seven years, Theatre Elision has been filling a niche in #TCTheater that we didn't know we needed - small cast, one act, original or rarely done musicals by mostly female creators and artists. In that time they've become one of my favorite theater companies, consistently producing high quality work that you just can't see anywhere else locally. That's definitely the case with the regional premiere of In the Green, less than five years after it premiered Off-Broadway. In a pre-show speech on opening night, resident Music Director Harrison Wade said it's the most difficult piece they've ever done. With its unique subject matter (12th Century nun/composer/scholar Hildegard von Bingen's years spent living secluded in a cell with her teacher), mix of modern and medieval music, and use of looping technology, it definitely feels like their most ambitious work, and perhaps the most rewarding because of it. I found myself moved to tears for reasons I can't explain. The musical taps into something deeply human, specifically what it means to be a female human in the world, and the performances by the five-woman cast, accompanied by a three-piece band, are simply stunning. If you like unique, original, boundary expanding music-theater, you do not want to miss this show. In the Green continues at Elision Playhouse in Crystal through March 9.

"C.L.U.E" by Collide Theatrical Dance Company at the Southern Theater

For their 30th production, Collide Theatrical Dance Company is remounting/revising their 2015 original dance musical C.L.U., now with one letter added to be C.L.U.E. It's a parody of the classic board game (which I spent many hours playing as a kid) and the movie based on it (coincidentally, a new non-musical stage version will be at the Orpheum next week). While the mystery part may be a little thin, the dancing and performances are incredible, and the show is overall a whole lot of fun. Collide lives at the intersection of theater and dance, and as a primarily theater reviewer, it's fun to have an excuse to see some dance, especially when it tells a story in a theatrical way. Embrace the mystery and enjoy the dancing of C.L.U.E. at the Southern Theater (the best venue for dance) now through March 10.

"Alice in Wonderland" at Children's Theatre Company

Children's Theatre Company is bringing back their original adaptation of Lewis Caroll's classic children's novel Alice's Adventures in Wonderland. Somehow I missed the last time they did it over a decade ago, perhaps mistakenly thinking it was just for kids. So this was my first time going down the rabbit hole with director Peter C. Brosius, composer and one-man band Victor Zupanc, and this exceedingly talented ensemble of young and grownup actors. It's two hours of sheer wonder, magic, and delight for audiences of all ages, so inventive and playful and surprising at every turn. The fun and whimsical sets and costumes, the ensemble leading us through the story like something out of Pantomime and/or English Music Hall traditions, and Caroll's endlessly entertaining series of oddball characters speaking nonsense combine for a truly enjoyable show. Bring your kids, your grownups, or yourself to see Alice in Wonderland now through the end of March.

"Broadway Songbook: Broadway in Love" at Park Square Theatre

As part of their soft reopening after some financial troubles over the last year, Park Square Theatre is bringing James Rocco's Broadway Songbook series back to St. Paul. When he was Artistic Director at the Ordway, James did a dozen or more shows in the series, most of which I attended. I fondly remember them as the best musical theater edutainment, with James' stories and history combined with live performances by some of #TCTheater's top talent. The series has continued at various locations since James left the Ordway in 2017, but hopefully this is the first of many at Park Square. It's February, so the topic for this Songbook is "Broadway in Love," a very broad topic since just about every musical has a love story. So there was less of a cohesive historical or thematic throughline in this show, but more just a collection of some of James and friends' favorite love songs from musicals. Only two performances remain, so head to downtown St. Paul if you've been missing this unique brand of musical edutainment. And follow Park Square for the upcoming announcement of their four-show season, beginning with a summer mystery.

"Honey, I'm Home" at Open Eye Theatre

If walls could talk... they might sound like Madeleine Rowe in their solo show Honey, I'm Home, now playing at Open Eye Theatre as part of their Guest Artist Series. Because when Madeleine says "Honey, I'm home," they literally mean "I am a home." Over about 70 minutes, they personify a house that's been on the market for way too long, and just wants to be bought and lived in and loved, like anyone (or anything). It's a very funny, silly, odd little show that's playful and fun and participatory (in a not too scary way).

"Mood Swings: An Exploration of the Concept Albums of Frank Sinatra" by Buzz Music Theater at the Hive Collaborative

When I chatted* with Laura Rudolph Morris and Eric Morris, new owners of The Hive Collaborative (the sweet intimate St. Paul theater space formerly known as Dreamland Arts) and co-founders of Buzz Music Theater, Eric talked about his love of the concept album, from Frank Sinatra to Taylor Swift, as the perfect intersection of pop culture and theater. Now he's bringing that idea to the stage in the first of four events in a series they're calling "Conceptual Beginnings." In Mood Swings: An Exploration of the Concept Albums of Frank Sinatra, Eric sings some two dozen songs as a sort of song cycle around the themes of "relationships and the human experience." We do indeed go on "an emotional roller coaster" over the course of an hour, in a theatrical expression of classic songs from the American Songbook, from the Gershwins to Cole Porter. It's a fun evening that expands the idea of music-theater. But hurry, this short run concludes on Monday.

"Improvised Love is Blind" at Strike Theater

I don't get to Strike Theater, our Northeast Minneapolis home for sketch comedy, storytelling, and spoken word, nearly as often as I would like. But with zero traditional theater shows opening this weekend (in advance of the storm that is late February), I was able to check out Improvised Love is Blind: Season 2. Apparently it's based on a Netflix dating show, which I've never watched or even heard of, so I might have missed some of the references (what are pods?). But the general concept is clear - one of those contrived dating pool situations, with lots of drama and mayhem. They're running it this weekend like episodes of a TV series, and I saw the second episode - after the pairing in the pods, and before the weddings. It would be fun to see all three shows, but even one is a fun evening. The finale is tonight, but last night was over sold out (perhaps the fullest I've ever seen Strike Theater), so get your tickets soon if you're interested! Otherwise check out Strike's website for upcoming shows, including a return of the laughing-through-grief show Wish You Were Here in March. I'm also hoping my favorite - Improvised Bake-Off - will return this year. But there are plenty of shows to choose from in the meantime, as well as classes for those interested in learning how to do improv and storytelling.

"Toil & Trouble" at Yellow Tree Theatre

In recent years, Lauren Gunderson has become one of my favorite playwrights, with her fresh, modern, feminist plays about women in history, and her Christmas at Pemberley series, the best Pride and Prejudice fan fiction (co-written by Margo Melcon). And I'm not alone in my love for her plays; she's one of the most produced playwrights in recent years. So whenever a theater programs one of her plays, I'm all for it (I would like to request #TCTheater productions of the women-in-science plays The Half-Life of Marie Curie and Emilie: La Marquise du Châtelet Defends Her Life Tonight next season). But I'm not sure I would have recognized Toil & Trouble, now playing on Yellow Tree Theatre's Osseo stage, as one of her works. It might be the only one of her plays set in modern times that I've ever seen, and it's much darker than her other work that I'm familiar with. But it's still smart, funny, modern, and feminist (because women can be murderers too!). Yellow Tree's production is perfectly cast, with abundantly detailed design, and darkly hilarious. Go get your Lauren Gunderson fix in Osseo now through March 3 (and follow it up with Silent Sky at Theatre in the Round, opening soon).

"Mamma Mia" on tour at the Orpheum Theatre

The smash hit 2001 Broadway musical Mamma Mia!, which opened in 2001 and went on to become the 9th longest running musical in Broadway history, has come back to Minneapolis for one week only! When I first saw it on Hennepin Theatre Trust's 2023-2024 season (note: the new season will be announced this Thursday!), I thought - really, Mamma Mia! again? Why?! But then I realized I hadn't seen the Broadway/touring version since 2010 (although I did see three gorgeous local productions in the last few years, at the Ordway, Chanhassen, and Zephyr in Stillwater outdoors), so I thought I'd check it out. And I had an absolute blast at the show. Yes, it's a jukebox musical with a silly plot made up in which to shove ABBA songs, but the result is so joyously infectious, it's impossible to resist. So if you're thinking, "why should I see Mamma Mia! again," keep reading and I'll give you ten reasons. But hurry, Donna and Sophie and her three dads leave town on Sunday! (Click here for the official ticket site.)

"Handprints" at History Theatre

Greta Oglesby has been a mainstay in #TCTheater for some 20 years, appearing on stages all over town. But now, for the first time, she's telling her own story. In a project that was first developed with Ten Thousand Things (who produced a film version of it), Greta shares all of the people who shaped her and made her into the person and artist she is today. It's a funny, touching, relatable a story, that reminds us of the people in our lives who teach us things that we carry with us all of our lives, like handprints on our hearts. I loved getting some insight into this artist I've long admired from afar, and learn about what brought her to this place. With music, puppets, and imagery, Greta brings us all on the journey with her. Handprints continues at the History Theatre in downtown St. Paul through February 18.

Preview of the Regional Premiere of "Beautiful: the Carole King Musical" at Chanhassen Dinner Theatres

For their third regional premiere in a row, following the Twin Cities Theater Bloggers' favorite musical of 2023 The Prom and the crowd-pleaser Jersey Boys, Chanhassen Dinner Theatres is bringing Beautiful: the Carole King Musical to their main stage (note: there was a production in Alexandria MN last summer at Theatre L'Homme Dieu, but this is the first one in the seven-county metro area). You can still catch the Frankie Valli jukebox musical Jersey Boys now through February 24, but beginning March 1, the Chan is moving on from the Jersey boys to the Brooklyn girl (as noted by director Michael Brindisi). I was fortunate enough to be invited to a special preview event last Saturday afternoon, which made me even more excited to see the show this spring. Beautiful premiered on Broadway in 2014 and ran for over five years. The first national tour came to Minneapolis for two weeks in the fall of 2015, about which I wrote, "Although it feels at times like a baby boomer tribute concert, Beautiful truly is just that - beautiful - as it celebrates this remarkable woman's talents and life story." A tribute concert that also tells the true story of the woman behind all of these iconic songs - what's not to love about that?!

"Cabaret" by Theatre 55 at Mixed Blood Theatre

Cabaret is one of my favorite musicals. I've seen it on stage many times, but it's been almost ten years since I saw a production of it, so it's beyond time to see it again. As usual, Theatre 55 brings a whole new perspective to the beloved and familiar piece by populating the world with people age 55 and better. These performers have lived through, if not the rise of Nazism in 1930s Berlin (that would be Theater 95), then many difficult, tumultuous, divisive times in this country and around the world. Facing another contentious and vitally important election cycle, 2024 is the perfect time to bring back Kander and Ebb's brilliant musical, that lures you in with a funny, sexy, gorgeous show, and then punches you in the gut with the ugly reality of what hate, fear, and bigotry can do. I interviewed Director Richard Hitchler and star Prudence Johnson on an episode of Twin Cities Theater Chat, and it was a pleasure to talk about the meaning of this piece, as well as Theater 55's important work of fighting agism and "enriching the lives of elders as artists, audiences, and lifelong learners." This especially poignant but still super fun Cabaret has only six performances left, several of which are sold out, so don't snooze on getting tickets, or you may be left sitting alone in your room instead of going to the cabaret, where everything is beautiful.

"Dial M for Murder" at Guthrie Theater

The Guthrie Theater is bringing a new adaptation of a classic thriller to their stage. Local prolific playwright and screenwriter Jeffrey Hatcher has applied his sharp wit and clever plotting to Frederick Knott's 1952 play Dial M for Murder (later adapted into a movie directed by Alfred Hitchcock). In an interview in the program, Jeffrey noted that the first task of adaptation is not to screw it up. He didn't. I've seen the play a couple of times before, but I'm not familiar enough to know what was changed or tweaked, other than the obvious ones noted in that interview - the murderous husband is a failed novelist rather than former tennis celebrity, and the American writer named Max that his wife has an affair with is a woman. Without taking anything away from the original, these slight changes add a whole new layer to the story and make it feel more modern. Homosexual relationships very much existed in the '50s, they just weren't talked about. Much like the new adaptation of the classic Western Shane last summer, this new adaptation adds back into the narrative the people that were erased. But rest assured, this Dial M is still a thrilling twisty delight! See it on the thrust stage through February 25.