"Steel Magnolias" at Yellow Tree Theatre

The first time I saw Steel Magnolias on stage (because of course the popular 1989 movie was a play first) was at Yellow Tree Theatre 13 years ago. Enough time has passed for them to revisit this funny and heart-warming story of female friendship. The last time I saw it was the at the Guthrie five years ago, in which Yellow Tree's Artistic Director Austene Van played Truvy. She moves to the director's chair for this production, leading a fantastic cast in this lovely production. I brought a group of female friends (as is my tradition at Yellow Tree, since I used to work at a nearby office), none of whom had seen the play (some not even the movie), and a good time was had by all. Well, a good time, and also a few tears. But as Truvy says, "laughter through tears is my favorite emotion!" Spend a couple of hours with these Steel Magnolias at Yellow Tree in Osseo now through December 22.

Broadway tour of "Les Miserables" at the Orpheum Theatre

Are you ready to hear the people sing? The people being the incredibly talented cast of the long-touring production of the 2014 Broadway revival of Les Miserables, most of whom were with the tour when it was last here in 2022 (and some even in 2018). The singing being the 6th longest running Broadway musical (from 1987 to 2003) and one of the most popular and beloved. I was telling someone about the show today (because I always end up talking theater with strangers) and they asked, why would I want to see something so miserable and depressing? Firstly, the music is gorgeous, nearly three straight hours of singing accompanied by a glorious orchestra. Secondly, because as I've previously written about the show, it's "such an inspiring story. Through a moment of kindness, a man's life is changed and he goes on to affect others' lives by passing on that kindness. But through it all he's still just a man, with doubts and regrets and struggles. In short, it's the human experience." It's truly inspiring and brings me to tears every time, especially my favorite line "to love another person is to see the face of God." Last night I was struck by the contrast between the two main characters. Valjean receives a moment of grace and kindness and allows it to turn his life around for the better, extending grace and kindness to those he meets. But when he extends it to Javert, he is unable to accept it and let go of his lifelong vendetta of hate. The world could use more Valjeans. Experience this epic journey at the Orpheum Theatre through December 1.

"Big Christmas Energy" by Brave New Workshop at the Dudley Riggs Theatre

If you're looking for a laugh this season, Brave New Workshop is the surest bet for laughing until your face hurts. The longest running comedy theater in the nation is back with their annual holiday* show, which is always a favorite. Like years past, Big Christmas Energy is an irreverent look at everything surrounding the holidays, from awkward family interactions to weird Christmas songs. The uber talented five-person cast of BNW regulars has written about a dozen ridiculously funny sketches (with the help of director/host Caleb McEwen), and performs them with great energy and enthusiasm. There's a little something for everyone (except maybe children - leave them at home), music and nostalgia and double entendres. So if this holiday (or post-election) season has got you down, you might need some Big Christmas Energy in your life; laughing with a bunch of strangers in a room together has a healing effect. The show continues through January 31, with another holiday favorite Family Dinner (a long-form improv show that has run for decades, most recently at the dear departed HUGE Theater) playing in the first floor space at the Dudley Riggs Theatre Fridays and Saturdays in December.

"A Christmas Carol" at the Guthrie Theater

The Guthrie Theater is celebrating 50 years of A Christmas Carol* this year, and as a 21-year season subscriber, I have seen 19 of those productions (including the virtual one in 2020). There simply is nothing like it. Charles Dickens' story is one of such hope, such joy, such belief in the idea that it's never too late to change and grow and become a better person, that gratitude, kindness, and generosity are the highest of virtues. After 50 years, the Guthrie's production is a well-oiled machine, guaranteed to deliver the finest entertainment and the best quality production. But in addition to feeling familiar and comfortable, it also feels fresh and new every year, with the addition of new faces or adaptations, and it's filled with so much sincerity and heart that it will melt the Scroogiest of hearts. This is their fourth year using this succinct and faithful adaptation by Lavina Jadhwani, and the absolutely stunning design, with director Addie Gorlin-Han returning from last year's production. So if you haven't seen the Guthrie's Christmas Carol since before the pandemic, you should definitely check out this new version before it closes on December 29. And even seeing it for the fourth time, it's still chock full of delights for the eyes, ears, heart, and soul.

"Homo Dramaticus" by Teatro del Pueblo and Pangea World Theater at the Southern Theater

Teatro del Pueblo and Pangea World Theater are combining their resources and talents for their new production of Homo Dramaticus, a series of three short plays by Argentinian playwright Alberto Adellach. Written in response to the Dirty War in Argentina (disclaimer: pretty much everything I know about Argentinian politics is from the musical Evita), these plays are a bleak look at the war and violence in his world, and in ours. They're written in the absurdist style, which means they're not so much narrative stories as a series of characters, scenes, images, feelings. It's beautifully acted and directed, and gorgeously designed. And while I didn't always understand what was happening, this production succeeds in evoking feeling of grief, horror, and dismay at the violence that seems to be intertwined with all of human history. This short run concludes on Sunday, with just three more performances at the Southern Theater.

"The Adventures of a Traveling Meskwaki" by Full Circle Theater at Park Square Theatre's Andy Boss Stage

Full Circle Theater doesn't exclusively do new work, but they do a lot of new work, supporting local playwrights. Their latest is #TCTheater artist Oogie_Push's lovely new autobiographical play The Adventures of a Traveling Meskwaki. In it, she and four other actors play herself as she tells the story of her life, from childhood to the present, all connected by the theme of water. Less a straight-forward narrative story and more a collection of interrelated stories, experiences, and revelations, it feels like an epic journey that comes full circle (pardon the pun) from past to present, from water to water, to finding self and home. It's heart-warming, inspiring, and thought-provoking, as it deals with themes of grief, environmental disaster, and this country's horrific treatment of indigenous people. But the overall feeling is one of hope, community, and connection, and it might make you regard water a little differently. Join the adventure in Park Square's intimate basement thrust stage, Wednesdays through Sundays until November 24.

"How the Grinch Stole Christmas" at Children's Theatre Company

It's been a rough week. A lot of people are feeling a little Grinchy right now, I know I am. Children's Theatre Company's annual holiday* favorite How the Grinch Stole Christmas has returned just in time to offer perhaps a little bit of solace, and remind us that no one can steal our Christmas, our joy, our community, if we stick together and stand up for each other and remember what's important. This is my fifth visit to Whoville; I first saw it 2014, when I wrote, "it's a bright and colorful, silly and funny, sweet and heart-warming tale of redemption and love." I'm happy to report this is still true, no matter how many times you've seen it. In a less than two-hour visit to Whoville, the show will make you laugh, warm your heart, and hopefully remind you of the real reason we celebrate any holiday - family, friends, and being together.** The Grinch continues through January 5, but the show is popular so get your tickets soon to experience the magic.

"The Turn of the Screw" at Gremlin Theatre

It's just over a week past Halloween, and less than a week since we said goodbye to the 13th annual Twin Cities Horror Festival. But spooky season is still with us, for multiple reasons. One of those reasons is Gremlin Theatre's new production of The Turn of the Screw, a chilling ghost story that feels like a continuation of TCHF. So if you're not ready to turn the page from Halloween to Christmas yet, go see this expertly executed classic ghost story. an allegory about the very real evils in our world!

Musical Mondays at Lush, November 2024

Today is a big day in America, and there's no place I would have rather spent the evening before this momentous election day than at the 100th installment of Musical Mondays. BFFs Max Wojtanowicz and Sheena Janson Kelly started this monthly cabaret series at Hell's Kitchen in downtown Minneapolis 12 years ago, with the dream of having someplace where local music-theater performers could share their talents, and maybe show a new side of themselves, in a fun and casual setting. Since then, this dream has become a reality, and a staple in #TCTheater entertainment, with a move to LUSH Bar in Northeast Minneapolis (and a couple years off due to a global pandemic). They celebrated this milestone with a larger than usual cast of all-stars, plus the return of some old favorites. As usual, it was a wonderful evening of fun, entertainment, and community, made especially poignant by the timing of it. One of the performers, the divine Erin Schwab, talked about how she's performed for decades amidst all kinds of trouble and strife in the word. And that her job is to give us permission to laugh, to have fun, and to have hope, no matter what is happening outside the walls of the theater. I don't know what's going to happen today, or this week, or next year, but I know that we need to continue to support live theater. The arts are a vital part of our economy, a vital part of our democracy, celebrating free speech and protest and all the things we hold dear as Americans, as well as engendering empathy for those we think are different from us, but are really the same at heart. And no matter what happens, we're going to need more of that going forward from this day.

"The McAdo" by The Gilbert and Sullivan Very Light Opera Company at the Conn Theater

If you can't wait for new episodes of Outlander to begin on November 22, maybe you should go see The Gilbert and Sullivan Very Light Opera Company's Scottish take on The Mikado. Granted, there aren't a whole lot of similarities between G&S and our favorite time-traveling romance, but there are plenty of kilts and questionable Scottish accents! There is also a bit of romance and danger and fighting, although in a much less dramatic way. Using an adaptation form Gilbert & Sullivan Austin, this McAdo (which is an actual Scottish name) very cleverly changes the setting from Japan to Scotland, with some modern references as well (additional "tinkering" by stage director Joe Andrews). And as always with GSVLOC, the huge cast and orchestra sound amazing bringing to life another G&S classic in a fun and fresh way. The McAdo continues through November 24 at The Conn Theater in Plymouth Congregational Church in South Minneapolis.

"Mauritius" by Stage North at 480 Arts

Who knew a play about a stamp could be so riveting?! Of course, the 2007 Broadway play Mauritius by Theresa Rebeck (who also wrote Bernhardt/Hamlet, produced by Theatre Pro Rata last year) is about much more than stamps and the cut-throat world of philately. It's about grief, and family dynamics, and the way death can bring out the worst in people, and grifters trying to make a buck off of someone else's grief. It's kind of a mystery dramedy thriller of a play, brought to life in an excellent production by Stage North. They've unfortunately moved out of their original home the Capri Theater in North Minneapolis and into a new space known as 480 Arts in St. Paul's Midway neighborhood. I can't imagine this work on the Capri's stage in their proscenium theater, it's so much more suited to this intimate in-the-round staging (although the Capri also has a black box space where Ten Thousand Things regularly performs). The talented five-person cast, clear and smart direction, and almost immersive staging make for a very entertaining evening of theater. Mauritius plays Thursdays through Sundays until November 17.