"Proof" at Gremlin Theatre

The 2001 Tony winner for Best Play, Proof ran for two and a half years on Broadway, had a national tour (rare for a non-musical), and was adapted into a 2005 film starring Gwyneth Paltrow and Jake Gyllenhaal. There have been several local productions, but not in 5+ years, so it was time to revisit this brilliant play, and thankfully Gremlin Theatre is doing just that. I fell in love with the play when I saw it on tour 20+ years ago; in contrast to my current nearly 15 years as a theater blogger, I was a math major, so I love all of the math references and discussions of proofs and higher mathematics. But it wasn't just math nerds who made this play so popular. Despite the fact that I like to call Proof my second* favorite math play, it's about so much more than math. It's about family dynamics, caring for aging parents, relationships between very different siblings, mental illness, and what we inherit from our parents vs. making our own life separate from them. As per usual, Gremlin's production is practically perfect in every way - an excellent cast, clear direction, and spot-on design. See it in their Vandalia Towers theater (in St. Paul's Midway neighborhood) between now and March 30, and for one of the best and most convenient dinner-and-a-show pairings in town, visit Lake Monster Brewing in the same building, where you can now order delicious OG Zaza pizza from across the patio (bonus: as spring weather arrives, you can enjoy your beer and pizza al fresco).

"Hundred Days" by Theatre Elision

What would you do if you only had a hundred days to live? What if you had just met your person, only to be told that they only had a hundred days to live? Such are the questions posed by NYC-based husband/wife singer/songwriter duo Abigail and Shaun Bengson (who, spoiler alert, lived more than a hundred days after meeting and are in fact still living). They wrote (with book writer Sarah Bancher) and performed in the autobiographical concert-style musical Hundred Days, and now Theatre Elision is bringing us the #TCTheater premiere. It's a lovely and haunting 80-minute musical with a fantastic folk-rock score, performed by a talented cast/band. As always, if you're looking for a rarely done musical that's new and interesting and different, instead of the same old fare, head to Elision Playhouse in Crystal (continuing through March 22).

Broadway tour of "Come From Away" at the Ordway Center

Every time I see the 2017 Tony-nominated* musical Come From Away, I love it even more. I saw it for the 5th time last night, and its themes affected me even more deeply now in this time we're living in. A time when the ideals that many of us hold dear - compassion, empathy, kindness, equality, justice - are being attacked, ideals that are so beautifully expressed in this one-of-a-kind musical. As I wrote when the tour came through the Ordway last summer, Come From Away is "the perfect marriage of music, text, and performance, brilliantly constructed into 100 solid minutes of constant storytelling, flowing from music to dialogue and back again, with only two applause breaks to break the spell. And the story it tells is remarkable: the heart-warming true story of how the people of Gander, Newfoundland welcomed 7000 strangers when their planes were diverted there on 9/11. Canadian married couple Irene Sankoff and David Hein (and producer Michael Rubinoff) have woven the true stories from dozens of people who were there, gathered at the 10th anniversary in Gander. Now, past the 20th anniversary of the unfathomably horrific events of that day, and the extraordinary actions of ordinary humans in its wake, this musical continues to be necessary. It reminds us that despite what we see on the news every day, the human capacity for good knows no bounds, if only we could remember that we all have the same wants and needs, and helping each other is the only way through." These words that I wrote nine eventful months ago strike an even deeper chord now. If you need to be reminded of the good in humanity, do not miss Come From Away, which is only here through Saturday! Keep reading for my review of last year's tour, with a few updates.

"Groucho Marx Meets T.S. Eliot" by Illusion Theater at Center for Performing Arts

Comedian Groucho Marx. Poet T.S. Eliot. Two influential artists of the 20th Century that probably no one would put in the same sentence together, much less the same play. But they had a brief pen-pal relationship (after Eliot wrote Groucho a fan letter asking for a photo) and met once for dinner at Eliot's home in London. Not much is known about the dinner, which gives playwright Jeffrey Hatcher free reign to imagine it in a clever, funny, acerbic, fourth-wall breaking way. Groucho Marx Meets T.S. Eliot is a highly entertaining 75 minutes of theater that digs a little bit deeper into these two enigmatic figures and their possible relationship (continuing through March 15).

"The Effect" at Jungle Theater

In my day job, I work in clinical trials. I'm not a researcher in the clinics working with patients, I sit at home in my living room analyzing the data they collect. But still, the themes and situations in the brilliant play The Effect are familiar and fascinating to me. Written by Lucy Prebble, a writer and executive producer on the brilliant and brutal HBO show Succession, the play asks thorny and relevant questions about the ethics of clinical research, for-profit pharmaceutical companies, and the health care industry in general. It also explores the very stuff that makes us human, our feelings and emotions, and if that resides in our brain, or in our heart, or in situations or the substances we're taking. (If you're getting Severance vibes, you're not alone.) In short, The Effect is my favorite kind of play - smart and thought-provoking, asking difficult questions and not answering them, populated with complex, interesting, and engaging characters. And as expected, Jungle Theater's production really couldn't be better, with a fantastic four-person cast and spot-on design. If you like smart, thoughtful, relevant plays, The Effect is not to be missed (continuing through the end of March).

"Fifty Boxes of Earth" by Theater Mu at Park Square Theatre

The world premiere new play Fifty Boxes of Earth tells the story of a nonbinary immigrant who moves into a community and begins to plant a magical garden to establish literal and figurative roots. Theater Mu could not have known just how timely and important this story would be when they planned it as part of their season, with Trans Rights being threatened and immigrants being deported seemingly with no cause. This story puts a very human face on the immigrant or outsider experience, using magical realism, dance, puppetry, and some theater magic to evoke emotion. See it at Park Square Theatre in downtown St. Paul through March 16 only.

"The Rainmaker" at Lyric Arts

The classic play The Rainmaker is like a mix of The Glass Menagerie and The Music Man, set in a rural area beset by drought during the Depression. There's the family daughter who's a bit different that everyone is trying to "marry off," and the charming con man who sweeps into town and brings new life and hope to the community. It's a beautiful and bittersweet story about a woman finding her confidence and self-worth through the eyes of a stranger. Experience the wonder of the long-awaited rain in Lyric Arts' new production, featuring a talented cast and lovely design, continuing through March 23.

"Tolkien" at Open Window Theatre

Five years ago today, I landed in New Zealand for my second visit to this magical land that I fell in love with (as many of us did) watching Peter Jackson's The Lord of the Rings trilogy. A story that I first encountered when my aunt gave me The Hobbit for my 12th birthday. For nearly 40 years I have continued to read and re-read J.R.R. Tolkien's masterpiece, finding new inspiration in it every time. Open Window Theatre was scheduled to produce the U.S. premiere of Tolkien, by Canadian playwright Ron Reed, shortly after my return from New Zealand in the spring of 2020. We know how that story goes, but happily, they are finally bringing this beautiful story of Tolkien and his friendship with C.S. Lewis to their intimate stage. It's a must-see for fans of Tolkien and/or Lewis, but even if you've never read The Lord of the Rings or The Chronicles of Narnia, you still might enjoy this play about friendship, faith, loss, literature, myth, and inspiration. Tolkien plays weekends through the end of March at Open Window Theatre in Inver Grove Heights.

"This Girl Laughs, This Girl Cries, This Girl Does Nothing" by Ten Thousand Things at Open Book

This Girl Laughs, This Girl Cries, This Girl Does Nothing, and this girl does all three and loves it! For their current production, Ten Thousand Things has found a fairy tale gem of a play that feels like it was written for their "All the Lights On" barebones straight-to-the-heart storytelling style. And it feels like it was written for this excellent five-person cast, so natural and rich and true are their performances. The story feels like a myth or a legend that could have been told around campfires for centuries, about three sisters - triplets - whose happy childhood is interrupted by tragedy, which sets them on three separate paths that eventually come back together again. This Girl is funny and sweet and heart-warming and joyful, in a way that only TTT shows can be. The show moves to Hennepin Avenue United Methodist Church this weekend (an easy-to-get-to location near the Walker, with a free parking lot) and continues through March 16. Don't miss it!

"Legacy of Light" at Theatre in the Round

A historical fiction rom com featuring female scientists? Sign me up! Playwright Karen Zacarías' Legacy of Light, now on stage at Theatre in the Round, is just my kind of play. It has a little of everything - comedy, romance, history, philosophy, poetry, science, fantasy, love, grief. The true story of 18th Century French mathematician and physicist Émilie du Châtelet is told alongside of the story of a fictional modern female scientist, the two stories speaking to each other in expected ways. A smart and funny play about smart, funny, strong women, their ambitions and accomplishments, as well as the obstacles they face because of their sex, is just what we need right now. See this lovely production at Theatre in the Round weekends through March 16.

"Romeo & Juliet" by Collide Theatrical at Luminary Arts Center

My second Romeo and Juliet of Valentine's Day Weekend (and my 17th lifetime), was a steampunk dance version. And there's no one I would trust to do a steampunk dance version of this classic tragic love story other than Collide Theatrical. They first interpreted R&J in 2014, with two actors reciting some of the dialogue interspersed with dance scenes, which didn't always work. At the time I wrote, "I would love to see them go all the way with the concept and tell the story strictly through dance with little to no dialogue." And that's what they've done here, to great effect. (They also did a version of this show in February 2020 but I missed it, I guess I was too busy in those blissful pre-pan days.) After a bit of an introduction, we're off on the dance train, with the main plot points clearly told through movement and dance (it probably helps that the story is so familiar). Collide's Romeo & Juliet plays for one more weekend at the gorgeous Luminary Arts Center. And if you're on the fence about whether or not to see this oft told story again, here are ten reasons you should.

"Paradise Blue" at Penumbra Theatre

In 2015, Penumbra Theatre produced Dominique Morisseau's Detroit '67, the first of her three-play series known as The Detroit Project, set in her hometown. Now almost ten years later, they're bringing us the second play in the series, Paradise Blue. In between they've produced a few other plays by Morrisseau, and we've seen the final Detroit play Skeleton Crew at Yellow Tree and the Guthrie (directed by Austene Van who was in Detroit '67). So if you're an avid #TCTheater goer, this is your long-awaited chance to complete this trilogy. But don't worry if you haven't seen any of the others; the three plays are stand-alone, set in different decades and featuring different characters and storylines. But what they have in common is the beautifully real and relevant way they explore Black culture in Detroit specifically, and in America as a whole. From the 1967 Detroit Riot, to the closing of an auto plant in the late aughts recession, and in this play - a jazz club in the late '40s. A fantastic cast and stunning design bring this powerful story to vivid life on Penumbra's stage, continuing through March 9.

"Romeo & Juliet" and "Beauty & the Beast" by /novel/ at the Southern Theater

A new company is bringing us a new twist on two classic love stories. Shakespeare's tragedy Romeo and Juliet and the French fairy tale turned Disney movie Beauty and the Beast don't seem to have much in common, but this double feature by /novel/ draws surprising and satisfying parallels between the two stories. And the best part is that if you see them both, after the tragedy of Romeo & Juliet the doomed lovers are reincarnated as Beauty & the Beast in a story that's all about transformation and truly seeing each other, with a chance for a happy ending. Both stories are told with a minimalist and modern style that may look familiar; this production marks the #TCTheater return of New Epic Theater's visionary Artistic Director Joseph Stodola, now based in Brooklyn and credited as Joseph Williams. Like all of New Epic's work, these two plays are gorgeous and tragic, but with a little bit of joy as Beauty finds her Beast prince. This is a short run and I caught it on its final weekend, so only three performances of the pair of plays remain. You can see them individually, but I recommend seeing both because this is definitely a situation where the whole is greater than the sum of its parts. Each piece stands on its own, but seen together creates a much deeper experience. Click here for info and tickets (note: if you're seeing both plays, you can purchase them individually, or as a package that includes drinks and bites during the 30-minute intermission between plays).

"A Midsummer Night's Dream" at the Guthrie Theater

A Midsummer Night's Dream is probably my favorite Shakespeare play. Partly because it's also probably the one I've seen the most on stage (this is my 10th time seeing it, and my 7th time writing about it in my almost 15 years as a Twin Cities Theater Blogger), but also because it's really the perfect rom com, with a little bit of everything. In his final season as the Guthrie's Artistic Director, Joe Dowling staged a memorable in-the-round production in 2015, and now current Artistic Director Joseph Haj is bringing us his version of this classic. I was lucky enough to attend the first meet-and-greet with the cast and creative team back in early January, when Joe talked about what the show means to him. He staged it at Oregon Shakespeare Festival in March 2020, and we know how that story goes - the show only had a few performances before being cancelled due to the pandemic. So this is a re-do of sorts, even bringing a few cast and creatives back. But this is a fresh, new Midsummer, bringing a bright warm glow to the Guthrie stage now when we need in most in this bleak, dark Midwinter. It's a delightful production full of heart, humor, and hope, and more music than any previous Midsummer I've seen. Whether you've never seen Midsummer before (where have you been?) or you've seen it a dozen times, here are ten reasons to see the Guthrie's new production of A Midsummer Night's Dream:

Broadway tour of "Hadestown" at the Orpheum Theatre

It's an old song. It's a sad song. But we sing it anyway. Such is the song of Hadestown, the 2019 Tony winning best musical that's returning to Minneapolis this week. Three years since the last time I saw* it and it's even more meaningful and powerful in light of the state of the world right now. This brilliant musical written 15+ years ago speaks to the struggles of the working class and the dangers of a despotic ruler in a way that strongly resonates in 2025. These themes are explored through the story of Hades and Persephone, whose relationship is responsible for the changing of the seasons (according to Greek mythology), as well as Eurydice and Orpheus' tragic love story. Singer/songwriter Anaïs Mitchell turned this sad old song into a song cycle, a folk opera which she first recorded with some of her folk singer friends in 2010 (which I heard her perform at the loveliest little folk festival in Minnesota, Storyhill Fest). It took almost a decade to turn that song cycle into a Broadway musical, with help from visionary director Rachel Chavkin. The result is this stunning piece of music-theater that's wholly unique and original. I was lucky enough to see it on Broadway (where it's still playing), and now twice on tour. Because even though we know how this song ends, as long as they keep singing it I'll keep listening with rapt attention. Experience the song of Hadestown at the Orpheum Theatre in downtown Minneapolis through Sunday only (click here for info and tickets, including student/educator rush).

"The One-Woman Playwright Festival" at Yellow Tree Theatre

For the month of February, Yellow Tree Theatre is bringing us a new play by a local female playwright every weekend in "The One-Woman Playwright Festival." I would love to be able to see every one of these plays, but they're only having two readings of each, and in this busy month of February that just wasn't possible. But I definitely made time to head to Osseo last weekend to support my friend and fellow Twin Cities Theater Blogger Mary Aalgaard from Play Off the Page. She's a playwright, actor, piano teacher, and music director in the Brainerd area (who drives to the Cities to see and review theater - and people think I'm dedicated!). Read on for a little more about her play It's Murder, Dontcha Know, and then check out one (or both) of the final two plays in the series (by #TCTheater artists Jamecia Bennett and Thomasina Petrus, the first play was by George Keller).

"School Pictures" by Theatre Latte Da at the Ritz Theater

Although their new production School Pictures wasn't developed at or created by Theater Latte Da, it fights right in with the kind of music-theater they're known for: forward-thinking boundary-pushing work that explores and expands the idea of what music-theater can be and do. In a note in the program, Artistic Director Justin Lucero wrote, "I knew that my very first season of programming needed to include something that didn't fit neatly in the traditional musical theater mold. Or ideally, blow the mold right open." Mission accomplished. Playwright/ composer/ lyricist/ performer Milo Cramer recently performed School Pictures Off-Broadway to rave reviews (and an Obie Award), and we're so fortunate that Latte Da brought him here to do the show at the Ritz Theater in this cold, snowy February. It's something so smart, so funny, so original, so tragic, and so very relevant. If you're interested in a different kind of musical that'll make you laugh, think, and feel, that's engaging and entertaining and surprising, that's only 75 minutes long - do not miss this show (continuing through March 2).

"Grease" at the Chanhassen Dinner Theatres

I'd been looking forward to the opening night of Grease at the Chanhassen Dinner Theatres for weeks, months even. It's always the best press night in town - free food and drinks, a welcoming and celebratory atmosphere, the bloggers are seated at a table together, and it's always a high quality production - and Grease is a classic and always fun show. But everything changed two days before opening when it was announced that Michael Brindisi, longtime Artistic Director and co-owner since 2010, died suddenly after a brief illness. It's a devastating loss for his family (including wife Michelle Barber, daughter Cat Brindisi, and son-in-law David Darrow, all of whom are talented and beloved members of the #TCTheater community in their own right), the people he's worked alongside of for decades, artists he's mentored and to whom he's given life-changing opportunities, and those of us in the larger community who know him mostly through his work. But it's eerily fitting that he died doing what he loved - directing a musical that meant so much to him, that started his career when he was cast in a tour in the 70s. And it also felt appropriate that while that grief and shock is fresh in all of our minds and hearts, we were able to gather in a room and be together, laugh together, cry together, celebrate his life and legacy together. Grease is scheduled to run through early October, followed by a remount of White Christmas which he directed just previous to this show, so whatever the future of Chanhassen Dinner Theatres looks like, his work will live on on that stage for the next year through these shows, and forever in the community that he created and the culture he fostered (which by all accounts is welcoming and respectful and supportive) and the artists he inspired. I can't imagine what it was like for the cast to go on and perform this show the night that they heard their leader was gone, and the next night, and the next. But rest assured that this cast is giving their whole hearts, souls, gorgeous voices, comedic chops, and hand-jiving bodies to this show to make their leader proud, and I know he is.

"The Gin Game" at Park Square Theatre

After a couple of big shows (the world premiere mystery Holmes/Poirot and the joyously chaotic The Best Christmas Pageant Ever!), Park Square Theatre's return season continues with something a little smaller and more intimate, but no less affecting. The two-hander The Gin Game won the Pulitzer Prize in 1978 and has starred some legendary pairs (including original Guthrie company members Jessica Tandy and Hume Cronyn, and Cicely Tyson and James Earl Jones). It's being brought to life on Park Square's Andy Boss Stage by some local legends. It's a sweet and salty little play (that would make a great 90-minute-no-intermission show if not for the intermission) with masterful performances by Greta Oglesby and Terry Hempleman that are a joy to watch. The Gin Game plays Thursdays through Sundays until February 23 at Park Square Theatre, with James Rocco's Songbook Series: Broadway in Love happening upstairs in the main theater on Valentine's weekend.

"The Root Beer Lady" at the History Theatre

History Theatre is currently remounting their 2023 original play The Root Beer Lady, in which playwright/performer Kim Schultz so beautifully captures the spirit of the Boundary Waters Canoe Area Wilderness (BWCAW) and the inspiring life and personality of Dorothy Molter, the last non-indigenous human living in the BWCAW. The Saturday Evening Post once called her "the loneliest woman in America," but throughout the play Dorothy shows us why, in fact, she was "the luckiest woman in America," because she lived an authentic life that was exactly what she wanted, despite society's and her family's expectations of what a proper young woman should do. Whether or not you have a personal connection to the BWCAW like I do (click here to read about that), The Root Beer Lady will engage and entertain you for 80 minutes or so, make you laugh, and maybe even inspire you to go for a hike, look up at the trees, or jump in a lake (continuing through February 23).*

"Sanctuary City" by Frank Theatre at Open Eye Theatre

Just about a year ago, Frank Theatre introduced the work of Polish-American Pulitzer Prize-winning playwright Martyna Majok to #TCTheater with the play Ironbound, about which I wrote, "It's only mid-January, but I'm confident this will be one of the best plays of 2024." That statement proved to be true; Ironbound did indeed make my list of 2024 favorites, and was nominated for five Twin Cities Theater Blogger Awards (winning one). Frank was smart to go back to that well and bring us another Majok play this year. Sanctuary City is another powerful and timely drama with fantastic performances by the small cast, spot on design, and impeccable direction. See it Thursdays through Sundays at Open Eye Theatre until February 23 (note: Open Eye is a small space and some performances are already selling out, so don't wait too long to get your tickets to see what could be one of the best plays of 2025!).

"'Til Death" by Bucket Brigade at Art House North

Bucket Brigade's original "marriage musical" 'Til Death returns for its 13th season! This was my 5th time seeing the show (counting a virtual version during the pandemic), and I was happy to spend a little time with old friends. Written by Bucket Brigade's married co-founders Vanessa and Jeremiah Gamble, and starring them and another married couple of #TCTheater artists (Anna and Damian Leverett whom I saw, alternating with Stephanie and Nathan Cousins) it's silly and sweet, over-the-top yet grounded in the reality of relationships. And while it would be (and has been) a perfect 90-minute-no-intermission show if not for the intermission, when they give me a cupcake and host a mini-concert* during said intermission, I'll allow it. 'Til Death plays Fridays and Saturdays through February 15 (plus one Monday night pay-as-you're-able performance featuring the full cast) at the charming and cozy Art House North in St. Paul's West 7th neighborhood, with two great restaurants within walking distance - Mucci's Italian and A-Side Public House (tip: make reservations).

"Tristan Tzara Was My Best Friend in Junior High" at Mirror-Lab

And now for something completely different: Tristan Tzara Was My Best Friend in Junior High. The subtitle of this odd and charming little play is "A dinner party ritual," and that's exactly what it is. It's been around in various incarnations for about ten years, but this was my first experience with it. I'd tell you to go see it if you're looking for a different kind of theater experience, but there are only four performances and it's sold out (self-produced by the artists). Here's hoping they'll bring it back again - follow this website for more info.

Improv at the Jungle: "Off-Book"

With the recent closure of HUGE Theater, your Uptown home for improv for 15 years, local improv troupes and shows are needing to find new venues at which to perform. Jungle Theater, just blocks away from HUGE, has stepped up to be one of those venues. They have a new series called "Improv at the Jungle," with a group called The Neighborhood performing regularly, as well as a show called Off-Book, hosted and co-directed by Sean Dillon and Isabella Dunsieth. I saw the latter this week and I just may have a new favorite improv show! Keep reading for why, and make plans to see their next performance on March 3. Visit the Jungle website for info and tickets to all of their improv shows. You can also see improv at Strike Theater in Northeast Minneapolis, The Hive Collaborative in St. Paul, Brave New Workshop (which hosted the long-running show Family Dinner in December), and other locations around town. Visit this website for a list of improv events in the Twin Cities.

"Sweet Charity" at Artistry

Artistry is beginning their 2025 season in a similar fashion as their fantastic 2024 season: a classic musical staged almost like a concert with a full orchestra on stage, and fabulous dancing in front of it. The 1966 Broadway musical Sweet Charity, adapted into a movie in 1969 starring Shirley MacLaine, is an excellent choice for this type of treatment; it almost feels like a series of vignettes about a NYC dance hall hostess in the '60s, rather than one continuous story with beginning, middle, and end. The strengths of this Bob Fosse show truly are the music and dancing, with a story about a "dance hall girl" looking for love in all the wrong places and continually being rejected that feels a little dated. So why not put the focus on the music, dancing, and performances of this terrific cast? The result is an absolutely smashing production that soars with one big music-and-dance number after another. Sweet Charity continues at the Bloomington Center for the Arts through February 16.

"Misery" at Lakeshore Players Theatre

Lakeshore Players Theatre's 72nd season is taking a sharp turn from a lovely new adaptation of the holiday classic A Christmas Carol to another classic, this one of the dark thriller variety. So buckle up for a deliciously creepy and suspenseful ride through Misery. Stephen King's 1987 novel about an obsessive fan was adapted into the popular 1990 movie, for which Kathy Bates won an Oscar. It was adapted into a play (by original screenwriter William Goldman) just ten years ago or so. I wasn't that familiar with the details of the story when I saw Yellow Tree Theatre's production a couple years ago* so it was chock full of surprise moments. But even now being a little more familiar with it, I found Lakeshore Players Theatre's production to be thoroughly enjoyable. The set is really cool, and the whole package of the design elements creates a suspenseful tension-filled atmosphere that makes the great work of this trio of actors even better. Head to beautiful downtown White Bear Lake for a production of the classic Misery that is anything but.

"Loudly, Clearly, Beautifully" by Elena Glass at The Hive Collaborative

My favorite thing about artists is the way that they take pain and trauma and turn it into art, releasing it to the world to help us mere mortals process and perhaps heal from our own pain and trauma. #TCTheater artist Elena Glass, who has been performing professionally on stages around town for the last ten years or so, has done just that in her aptly titled solo show Loudly, Clearly, Beautifully playing at the intimate Hive Collaborative. Elena's dad was diagnosed with Multiple Sclerosis (MS) when she was 14, and died when she was 30, during the height of the COVID epidemic. I had a similar experience; my dad was diagnosed with MS when I was very young and lived almost 50 years with the disease, most of it confined to a wheelchair and in the last few years, to bed, and died just over two years ago. So this show touched me deeply. But you don't have to have a parent with MS to relate to this well-constructed and beautifully performed show. Its themes of grief, loss, family, love, growing up, and moving on are universal, as told through Elena's specific story. If you'd like to see an artist share their personal story with honesty, humor, authenticity, and gorgeous vocals, go see Loudly, Clearly, Beautifully before it closes on January 31.

Broadway tour of "Parade" at the Orpheum Theatre

Last night, the National Tour of the 2023 Tony winner for best revival of a musical opened right here in Minneapolis. Parade premiered on Broadway in 1998 and ran for only three months, but won the Tony for score (Jason Robert Brown, his first of two Tonys, the second for The Bridges of Madison County) and book (playwright Alfred Uhry, who won the Pulitzer Prize for Driving Miss Daisy). Almost 25 years later it was revived in a stunning and devastating production that I was fortunate to see.* I'm so glad that it's going on tour, because this is a story that America needs to see right now. Unfortunately, this very American story of antisemitism, racism, otherism, corruption in the judicial and political systems, fearmongering, mob violence, and media distortion of the facts only gets more relevant with each passing day. Heavy subject for a musical? Yes, but not all musicals need to be light and happy. In fact the best ones delve into heavy issues and shed light on the dark places of our past and present, and do it with gorgeous music that evokes the emotions of the story better than a history book or even a play ever could. Twin Cities theater-goers should feel honored to be the first ones in the country to experience this brilliant production, and if you're a fan of meaningful and relevant music-theater that's also beautiful to watch and listen to, go see Parade (through Sunday only - click here for info and tickets, including group sales and student/educator rush).

"Glory" at Theatre in the Round

Similar to The Wolves or Flex, Glory is a play about a women's hockey team that's about so much more than hockey. These athletes are referred to as hockey dolls, sportscasters talk about how they look in their uniforms, when they're strong and tough and powerful people say they must be men, they get paid less and have less access to the things they need than male athletes, and people in power claim women are soft and weak and therefore aren't qualified to do hard things like play hockey (or serve in combat). Was this the 1930s or last week? The answer is both, which is perhaps why the cast and creative team of Theatre in the Round's production of this beautiful play made me cry about hockey, I sport I've never watched and care nothing about. This play (based on a true story and premiering in 2018) deals with sexism, anti-Semitism, war, poverty, and discrimination in a way that's unfortunately still incredibly relevant today. Go see Glory at the oldest theater in Minneapolis, continuing weekends through February 9.

"A Taste of Things to Come" at Lyric Arts

Lyric Arts is starting off 2025 with a fun and feel-good musical about a group of suburban women in the 1950s, and how their lives (and the lives of all American women) changed in a decade time jump into the '60s. Although a line towards the end of the play reminds us of just how far we haven't come and how much work there is yet to do, the musical celebrates women, their friendship, and their accomplishments in broad brush strokes. The winning cast comprised of mostly newish performers portrays a tight bond and even tighter harmonies on this fun original score tinged with the sounds of the '50s and '60s, accompanied by an all-female band. Get A Taste of Things to Come at Lyric Arts on Anoka's Main Street through February 9, and maybe it'll spark deeper conversations and continued hard work to continue to make lives better for women in this decade and into the next.

"ON LAUGH SUPPORT... with Lorna Landvik" at Bryant Lake Bowl

What's a theater blogger to do in early January when theater companies are still on holiday break, or prepping new shows to open in mid to late January? Start the year laughing with Lorna Landvik at Bryant Lake Bowl. This is my third (non-consecutive) New Year hanging out with the Minnesota author and comedian, and as usual, a good time was had by all at the tiny theater behind a bowling alley (with delicious food and drink service before and during the show). Lorna's new show is called On Laugh Support, the premise being that the world is a mess, so we need laughter more than ever. I totally agree with Lorna's statement that if we spent more time laughing and singing together (Lorna loves a ukulele singalong, and so do I), instead of judging and belittling each other, the world would be a better place. On Laugh Support continues Fridays and Saturdays through the end of January, and you can check out Lorna's books here.

"The SpongeBob Musical" by Unlabeled Theatre Company at Park Square Theatre

"When you have a disability, you live with a lot of labels. Labels that other people put on you. In some cases, you have labels slapped on you before you're even born. Most of those labels aren't particularly helpful. So we're ripping off those labels: Unlabeled Theatre Company." I was pleased to be able to experience my first Unlabeled production this weekend. They have a unique performance model in which they pair an actor with a disability or who is neurodivergent with a neurotypical actor. So two people are portraying each character, saying (or singing) the lines in unison with mirror, or shadow, movements. Their third production in about a year is The SpongeBob Musical, which I'd never seen before, nor have I ever seen the popular cartoon upon which it's based. Unlabeled is doing an abbreviated 75-minute one-act version of the show (that features songs by David Bowie, Cyndi Lauper, and more), and I found it to be a really sweet, inspiring, and relevant show about community, friendship, and joining together in times of crisis. The performers are all so genuine and pure in their performances, beautifully supported by their shadow partners, and it's really wonderful to see a truly inclusive cast. Because everyone deserves the opportunity to participate in theater, and experience the benefits that can provide in one's life. The SpongeBob Musical is playing for two weekends on Park Square Theatre's Andy Boss thrust stage, click here for info and tickets.

A Feature on Leslie Vincent's "Cabaret Open Gym" Series at The Hive Collaborative

In just over a year, The Hive Collaborative has become a welcoming home for artists and audiences with a variety of programming including theater, music, movies, bingo, and other events. One such unique series of shows is local theater and music artist Leslie Vincent's "Cabaret Open Gym," a sort of open mic evening in which anyone can get up and sing a song or tell a joke or do any kind of performance. I attended the inaugural show back in September, which was a really fun way to experience a wide variety of performance and support local artists in various stages of their careers. A nice feature of the event is that the first half is curated, meaning Leslie invites more established local artists to present something they're working on, so you know you'll see some great stuff by people you're likely familiar with from stages around town. The second half of the show is open, meaning anyone can sign up and be added to the list to perform. Some of these artists are new to performing, some have more experience, some may lack polish, but you also may discover a diamond in the rough. I love supporting artists in creating new and inventive work, and this is a great way to do that. Read on for an interview with Leslie, and make plans to attend the next Cabaret Open Gym on January 13 (tickets start at $10) and/or sign up to perform yourself!

"Alma Murder" by The Mystery Cafe at Sheraton Bloomington

I went to my first high school reunion last weekend. No, not my actual high school reunion (I was a nerd with few friends, no need to revisit that), but something much better - an immersive comedy murder-mystery dinner-theater reunion! At Alma Murder (now playing in the downstairs ballroom at Sheraton Bloomington), you're greeted by the principal and secretary of Mellencamp High School as if they know you. You're asked to fill out a nametag with your name and graduation year (class of '92 here) for this all-class reunion on the eve of the destruction of our beloved Mellencamp. The jock and cheerleader/class president/party planner drop by your table to say hi and reminisce. And like all reunions (I assume, never having attended one before), you also get served a delicious three-course meal, have a few drinks with friends old and new, and solve a murder! As with all shows by The Mystery Cafe, it's a fun experiential evening of theater with no separation between audience and performers, rather we're all part of this fun and wacky reunion. Alma Murder continues through January 31 in the South Metro, with their other show, the immersive wedding show 'Til Death Do Us Die (which I saw last year) opening this weekend and playing through February 8. Click here for info and tickets for both shows (dinner included in the ticket price).

2024 #TCTheater Favorites - The Best Year Post 2020

This year we marked the fourth anniversary of the day that theater (and nearly everything else good in the world) shut down due to a global pandemic. And while there are still cancelled shows and understudies stepping in at the last minute due to the virus that won't go away, it feels like this was the first full year of theater since the pandemic, and definitely #TCTheater's best. From a second viewing of Chanhassen Dinner Theatre's fabulous 2023 revival of Jersey Boys in early January, to an understudy performance of this year's remount of one of my 2023 faves Dinner for One on New Year's Eve Eve at the Jungle Theater, I saw 251 live performances in three countries, and three different states in this country. That includes 147 plays, 67 musical/opera/dance shows, 19 concert/other, and 18 comedy/improv, 230 of which were in Minnesota (including 31 Minnesota Fringe shows and 7 Twin Cities Horror Festival shows). That's definitely back to pre-pan levels, and about as many as one human can handle in 366 days (I needed the extra day this year). This task of narrowing down that list of shows to a few (dozen) of my favorites is something I both look forward to and dread every year. There's just so much amazing theater happening on a daily basis in this town that it's nearly impossible to do. But here's my best attempt: