"Tristan Tzara Was My Best Friend in Junior High" at Mirror-Lab

And now for something completely different: Tristan Tzara Was My Best Friend in Junior High. The subtitle of this odd and charming little play is "A dinner party ritual," and that's exactly what it is. It's been around in various incarnations for about ten years, but this was my first experience with it. I'd tell you to go see it if you're looking for a different kind of theater experience, but there are only four performances and it's sold out (self-produced by the artists). Here's hoping they'll bring it back again - follow this website for more info.

Improv at the Jungle: "Off-Book"

With the recent closure of HUGE Theater, your Uptown home for improv for 15 years, local improv troupes and shows are needing to find new venues at which to perform. Jungle Theater, just blocks away from HUGE, has stepped up to be one of those venues. They have a new series called "Improv at the Jungle," with a group called The Neighborhood performing regularly, as well as a show called Off-Book, hosted and co-directed by Sean Dillon and Isabella Dunsieth. I saw the latter this week and I just may have a new favorite improv show! Keep reading for why, and make plans to see their next performance on March 3. Visit the Jungle website for info and tickets to all of their improv shows. You can also see improv at Strike Theater in Northeast Minneapolis, The Hive Collaborative in St. Paul, Brave New Workshop (which hosted the long-running show Family Dinner in December), and other locations around town. Visit this website for a list of improv events in the Twin Cities.

"Sweet Charity" at Artistry

Artistry is beginning their 2025 season in a similar fashion as their fantastic 2024 season: a classic musical staged almost like a concert with a full orchestra on stage, and fabulous dancing in front of it. The 1966 Broadway musical Sweet Charity, adapted into a movie in 1969 starring Shirley MacLaine, is an excellent choice for this type of treatment; it almost feels like a series of vignettes about a NYC dance hall hostess in the '60s, rather than one continuous story with beginning, middle, and end. The strengths of this Bob Fosse show truly are the music and dancing, with a story about a "dance hall girl" looking for love in all the wrong places and continually being rejected that feels a little dated. So why not put the focus on the music, dancing, and performances of this terrific cast? The result is an absolutely smashing production that soars with one big music-and-dance number after another. Sweet Charity continues at the Bloomington Center for the Arts through February 16.

"Misery" at Lakeshore Players Theatre

Lakeshore Players Theatre's 72nd season is taking a sharp turn from a lovely new adaptation of the holiday classic A Christmas Carol to another classic, this one of the dark thriller variety. So buckle up for a deliciously creepy and suspenseful ride through Misery. Stephen King's 1987 novel about an obsessive fan was adapted into the popular 1990 movie, for which Kathy Bates won an Oscar. It was adapted into a play (by original screenwriter William Goldman) just ten years ago or so. I wasn't that familiar with the details of the story when I saw Yellow Tree Theatre's production a couple years ago* so it was chock full of surprise moments. But even now being a little more familiar with it, I found Lakeshore Players Theatre's production to be thoroughly enjoyable. The set is really cool, and the whole package of the design elements creates a suspenseful tension-filled atmosphere that makes the great work of this trio of actors even better. Head to beautiful downtown White Bear Lake for a production of the classic Misery that is anything but.

"Loudly, Clearly, Beautifully" by Elena Glass at The Hive Collaborative

My favorite thing about artists is the way that they take pain and trauma and turn it into art, releasing it to the world to help us mere mortals process and perhaps heal from our own pain and trauma. #TCTheater artist Elena Glass, who has been performing professionally on stages around town for the last ten years or so, has done just that in her aptly titled solo show Loudly, Clearly, Beautifully playing at the intimate Hive Collaborative. Elena's dad was diagnosed with Multiple Sclerosis (MS) when she was 14, and died when she was 30, during the height of the COVID epidemic. I had a similar experience; my dad was diagnosed with MS when I was very young and lived almost 50 years with the disease, most of it confined to a wheelchair and in the last few years, to bed, and died just over two years ago. So this show touched me deeply. But you don't have to have a parent with MS to relate to this well-constructed and beautifully performed show. Its themes of grief, loss, family, love, growing up, and moving on are universal, as told through Elena's specific story. If you'd like to see an artist share their personal story with honesty, humor, authenticity, and gorgeous vocals, go see Loudly, Clearly, Beautifully before it closes on January 31.

Broadway tour of "Parade" at the Orpheum Theatre

Last night, the National Tour of the 2023 Tony winner for best revival of a musical opened right here in Minneapolis. Parade premiered on Broadway in 1998 and ran for only three months, but won the Tony for score (Jason Robert Brown, his first of two Tonys, the second for The Bridges of Madison County) and book (playwright Alfred Uhry, who won the Pulitzer Prize for Driving Miss Daisy). Almost 25 years later it was revived in a stunning and devastating production that I was fortunate to see.* I'm so glad that it's going on tour, because this is a story that America needs to see right now. Unfortunately, this very American story of antisemitism, racism, otherism, corruption in the judicial and political systems, fearmongering, mob violence, and media distortion of the facts only gets more relevant with each passing day. Heavy subject for a musical? Yes, but not all musicals need to be light and happy. In fact the best ones delve into heavy issues and shed light on the dark places of our past and present, and do it with gorgeous music that evokes the emotions of the story better than a history book or even a play ever could. Twin Cities theater-goers should feel honored to be the first ones in the country to experience this brilliant production, and if you're a fan of meaningful and relevant music-theater that's also beautiful to watch and listen to, go see Parade (through Sunday only - click here for info and tickets, including group sales and student/educator rush).

"Glory" at Theatre in the Round

Similar to The Wolves or Flex, Glory is a play about a women's hockey team that's about so much more than hockey. These athletes are referred to as hockey dolls, sportscasters talk about how they look in their uniforms, when they're strong and tough and powerful people say they must be men, they get paid less and have less access to the things they need than male athletes, and people in power claim women are soft and weak and therefore aren't qualified to do hard things like play hockey (or serve in combat). Was this the 1930s or last week? The answer is both, which is perhaps why the cast and creative team of Theatre in the Round's production of this beautiful play made me cry about hockey, I sport I've never watched and care nothing about. This play (based on a true story and premiering in 2018) deals with sexism, anti-Semitism, war, poverty, and discrimination in a way that's unfortunately still incredibly relevant today. Go see Glory at the oldest theater in Minneapolis, continuing weekends through February 9.

"A Taste of Things to Come" at Lyric Arts

Lyric Arts is starting off 2025 with a fun and feel-good musical about a group of suburban women in the 1950s, and how their lives (and the lives of all American women) changed in a decade time jump into the '60s. Although a line towards the end of the play reminds us of just how far we haven't come and how much work there is yet to do, the musical celebrates women, their friendship, and their accomplishments in broad brush strokes. The winning cast comprised of mostly newish performers portrays a tight bond and even tighter harmonies on this fun original score tinged with the sounds of the '50s and '60s, accompanied by an all-female band. Get A Taste of Things to Come at Lyric Arts on Anoka's Main Street through February 9, and maybe it'll spark deeper conversations and continued hard work to continue to make lives better for women in this decade and into the next.

"ON LAUGH SUPPORT... with Lorna Landvik" at Bryant Lake Bowl

What's a theater blogger to do in early January when theater companies are still on holiday break, or prepping new shows to open in mid to late January? Start the year laughing with Lorna Landvik at Bryant Lake Bowl. This is my third (non-consecutive) New Year hanging out with the Minnesota author and comedian, and as usual, a good time was had by all at the tiny theater behind a bowling alley (with delicious food and drink service before and during the show). Lorna's new show is called On Laugh Support, the premise being that the world is a mess, so we need laughter more than ever. I totally agree with Lorna's statement that if we spent more time laughing and singing together (Lorna loves a ukulele singalong, and so do I), instead of judging and belittling each other, the world would be a better place. On Laugh Support continues Fridays and Saturdays through the end of January, and you can check out Lorna's books here.

"The SpongeBob Musical" by Unlabeled Theatre Company at Park Square Theatre

"When you have a disability, you live with a lot of labels. Labels that other people put on you. In some cases, you have labels slapped on you before you're even born. Most of those labels aren't particularly helpful. So we're ripping off those labels: Unlabeled Theatre Company." I was pleased to be able to experience my first Unlabeled production this weekend. They have a unique performance model in which they pair an actor with a disability or who is neurodivergent with a neurotypical actor. So two people are portraying each character, saying (or singing) the lines in unison with mirror, or shadow, movements. Their third production in about a year is The SpongeBob Musical, which I'd never seen before, nor have I ever seen the popular cartoon upon which it's based. Unlabeled is doing an abbreviated 75-minute one-act version of the show (that features songs by David Bowie, Cyndi Lauper, and more), and I found it to be a really sweet, inspiring, and relevant show about community, friendship, and joining together in times of crisis. The performers are all so genuine and pure in their performances, beautifully supported by their shadow partners, and it's really wonderful to see a truly inclusive cast. Because everyone deserves the opportunity to participate in theater, and experience the benefits that can provide in one's life. The SpongeBob Musical is playing for two weekends on Park Square Theatre's Andy Boss thrust stage, click here for info and tickets.

A Feature on Leslie Vincent's "Cabaret Open Gym" Series at The Hive Collaborative

In just over a year, The Hive Collaborative has become a welcoming home for artists and audiences with a variety of programming including theater, music, movies, bingo, and other events. One such unique series of shows is local theater and music artist Leslie Vincent's "Cabaret Open Gym," a sort of open mic evening in which anyone can get up and sing a song or tell a joke or do any kind of performance. I attended the inaugural show back in September, which was a really fun way to experience a wide variety of performance and support local artists in various stages of their careers. A nice feature of the event is that the first half is curated, meaning Leslie invites more established local artists to present something they're working on, so you know you'll see some great stuff by people you're likely familiar with from stages around town. The second half of the show is open, meaning anyone can sign up and be added to the list to perform. Some of these artists are new to performing, some have more experience, some may lack polish, but you also may discover a diamond in the rough. I love supporting artists in creating new and inventive work, and this is a great way to do that. Read on for an interview with Leslie, and make plans to attend the next Cabaret Open Gym on January 13 (tickets start at $10) and/or sign up to perform yourself!

"Alma Murder" by The Mystery Cafe at Sheraton Bloomington

I went to my first high school reunion last weekend. No, not my actual high school reunion (I was a nerd with few friends, no need to revisit that), but something much better - an immersive comedy murder-mystery dinner-theater reunion! At Alma Murder (now playing in the downstairs ballroom at Sheraton Bloomington), you're greeted by the principal and secretary of Mellencamp High School as if they know you. You're asked to fill out a nametag with your name and graduation year (class of '92 here) for this all-class reunion on the eve of the destruction of our beloved Mellencamp. The jock and cheerleader/class president/party planner drop by your table to say hi and reminisce. And like all reunions (I assume, never having attended one before), you also get served a delicious three-course meal, have a few drinks with friends old and new, and solve a murder! As with all shows by The Mystery Cafe, it's a fun experiential evening of theater with no separation between audience and performers, rather we're all part of this fun and wacky reunion. Alma Murder continues through January 31 in the South Metro, with their other show, the immersive wedding show 'Til Death Do Us Die (which I saw last year) opening this weekend and playing through February 8. Click here for info and tickets for both shows (dinner included in the ticket price).

2024 #TCTheater Favorites - The Best Year Post 2020

This year we marked the fourth anniversary of the day that theater (and nearly everything else good in the world) shut down due to a global pandemic. And while there are still cancelled shows and understudies stepping in at the last minute due to the virus that won't go away, it feels like this was the first full year of theater since the pandemic, and definitely #TCTheater's best. From a second viewing of Chanhassen Dinner Theatre's fabulous 2023 revival of Jersey Boys in early January, to an understudy performance of this year's remount of one of my 2023 faves Dinner for One on New Year's Eve Eve at the Jungle Theater, I saw 251 live performances in three countries, and three different states in this country. That includes 147 plays, 67 musical/opera/dance shows, 19 concert/other, and 18 comedy/improv, 230 of which were in Minnesota (including 31 Minnesota Fringe shows and 7 Twin Cities Horror Festival shows). That's definitely back to pre-pan levels, and about as many as one human can handle in 366 days (I needed the extra day this year). This task of narrowing down that list of shows to a few (dozen) of my favorites is something I both look forward to and dread every year. There's just so much amazing theater happening on a daily basis in this town that it's nearly impossible to do. But here's my best attempt: