"Close to Home" at Pillsbury House + Theatre

The new play Close to Home is a beautiful story about a chosen family. Three people who are estranged from their birth family for various reasons find each other, and despite differences and disagreements, they give each other the love and support that they need. This is a story about immigrants, trans people, gay people - all of the people whose stories and history and existence in the world the current administration is trying to erase. In other words, it's exactly the kind of play that we need right now, and it's beautifully acted, designed, and directed. See it at Pillsbury House + Theatre now through April 27.

"Lettice and Lovage" at Theatre in the Round

The play Lettice and Lovage by British playwright Peter Shaffer was basically written as a showcase for Dame Maggie Smith, and she fittingly won a Tony for it in 1990. It's a very funny and very British play and has two great roles for women over 50, and a real live cat on stage, all great things. The one challenging thing is that it's a three-act two-intermission play, a rarity these days, but as long as you're aware going into it that you'll be sitting in the theater for three and a half hours or more, it's a lot of fun. Theatre in the Round is staging it in their 73rd season, dedicating the production to #TCTheater actor Maggie Bearmon Pistner who starred in their 2001 production and passed away in 2023. They've cast a couple of great actors as this buddy comedy duo, so take a nap or have a coffee before the show, get up to get a snack at intermission, and settle in for an entertaining evening (or afternoon if you're a morning person like me). Lettice and Lovage continues through April 27.

"The Birds" by TheatreX at the Hive Collaborative

Irish playwright Conor McPherson's play The Birds could be a series in The Walking Dead Universe, but with birds instead of zombies. Like the ever-expanding TV world, the real trouble comes from the humans, not the dangerous creatures that have launched humans into a post-apocalyptic world. The play is based on the same short story that the 1963 Hitchcock movie is, but from my understanding (never having seen the movie), the characters and plotline are different. This story is an intimate, almost claustrophobic, one, focusing on just four characters and how they react to this new world order. This is the first production I've seen by new-ish #TCTheater company TheatreX, which launched in 2018 with an adaptation of the novel The Haunting of Hill House, staged in St. Paul's own Hill House, which I somehow missed. I'm happy to have finally caught one of their productions, the slow build tension filled examination of the human psyche that is The Birds. See it at The Hive Collaborative through April 27.

"Fun Home" by Theater Latte Da at the Ritz Theater

The long-awaited #TCTheater premiere of the 2015 Tony winning best musical Fun Home is finally happening! I was lucky enough to see this brilliant and moving musical on Broadway and have loved it ever since, even driving to Duluth for the Minnesota premiere by an intrepid theater company known as Renegade in 2019. I'm thrilled to finally see a production in the Twin Cities, and no one better to do it than Theater Latte Da. The smartly and succinctly written 90-minute musical is perfectly cast, perfectly staged, and perfectly designed, for an emotionally satisfying and epic journey through one person's story of coming of age, coming out, and coming to terms with her parents' flaws and humanity; a specific story that feels so real and relatable. Apparently I am not alone in this opinion; some performances are already selling out and they've extended it a week. Don't wait - get your tickets now to see this modern musical theater masterpiece (through April 11 at the Ritz Theater in Northeast Minneapolis).

"The Tin Woman" by 100 Percent Human Theatre at the Historic Mounds Theatre

The topic of organ donation is one that sounds simple in theory - who wouldn't want to donate viable organs to save someone's life (or lives)? But to be faced with the decision in reality is unimaginable. Such is the subject of The Tin Woman, about a woman facing an existential crisis after receiving a donor heart and the family of the man who donated it grieving their loss. It's a personal story for director Joy Donley of 100 Percent Human Theatre, whose son died at age 16. They donated his organs to over 60 recipients, which is a truly remarkable gift. As good artists do, she's taken her tragedy and turned it into art, partnering with the local organization LifeSource to produce this play and raise awareness about organ donation. The Tin Woman is a funny, poignant, and relatable story about the messiness of grief, loss, family, and life. The super short run closes this weekend with just a few performances remaining at the Historic Mounds Theatre in St. Paul.

"Rhinoceros" by Pangea World Theater at the Southern Theater

"I am not capitulating!" The final line of Eugene Ionesco's absurdist masterpiece Rhinoceros, and in fact the entire play (written in response to the rise of Fascism in pre-WWII Europe), have never felt more relevant. I first saw this play in early 2017 as a response to the first Trump presidency (7th House Theatre's "pop up production"), and again the following year at Theatre in the Round. It felt so timely and urgent then, but here we are eight years later, and everything is so much worse. All around us people are turning into rhinoceroses, falling in line, and trampling over the things we hold most dear. Millions of Americans protested across the country in the "Hands Off" protests last weekend, and Pangea World Theater is doing their part by mounting a production of this important allegory. With a strong ten-person cast, it's well-staged at the gorgeous Southern Theater, and feels like it was written for this moment. A handful of performances remain over the next two weekends - click here for info and tickets.

NYC Theater Trip 2025: "The Picture of Dorian Gray" at The Music Box Theatre on Broadway

Show*: 5

Title: The Picture of Dorian Gray

Location: The Music Box Theatre

Written By: Oscar Wilde, adapted by Kip Williams

Summary: A multi-media experience of Oscar Wilde's only novel combining live performance, recorded video, and live video, with all parts performed by one actor.

NYC Theater Trip 2025: "Pirates! The Penzance Musical" by Roundabout Theatre Company at the Todd Haimes Theatre

Show*: 4

Title: Pirates! The Penzance Musical

Location: Todd Haimes Theatre

Written By: Gilbert and Sullivan, adapted by Rupert Holmes

Summary: A reimagining of the classic Gilbert and Sullivan operetta set in New Orleans, with a jazzed up score.

NYC Theater Trip 2025: "Floyd Collins" at the Vivian Beaumont Theatre at Lincoln Center

Show*: 3

Title: Floyd Collins

Location: The Vivian Beaumont Theatre at Lincoln Center

Written By: Adam Guettel (music and lyrics) and Tina Landau (book and additional lyrics)

Summary: In 1925 Kentucky, a man named Floyd Collins get stuck in a cave, creating a media sensation.

NYC Theater Trip 2025: "Redwood" at The Nederlander Theatre

Show*: 2

Title: Redwood

Location: The Nederlander Theatre

Written By: Tina Landau (book and lyrics) and Kate Diaz (music and lyrics)

Summary: A woman travels to Redwood National Park and learns to climb the trees as a way to process an unimaginable grief.

NYC Theater Trip 2025: "Maybe Happy Ending" at the Belasco Theatre

Show*: 1

Title: Maybe Happy Ending

Location: The Belasco Theatre

Written By: Hue Park (book and lyrics) and Will Aronson (music, book, and lyrics)

Summary: A love story between two obsolete robots.

"Secret Warriors" at History Theatre

Did you know that Japanese Americans served in the U.S. Army as translators, interpreters, and interrogators during WWII, at the same time that their families were imprisoned in internment camps back home? I didn't either, but I do now thanks to History Theatre's world premiere new play Secret Warriors. As always with History Theatre's original, often commissioned, plays and musicals, Secret Warriors shines a light on a little known aspect of history, usually with a Minnesota connection, and draws a straight line from the past to the present. Today, the very law that was used to intern Japanese Americans (the Alien Enemies Act of 1798) is being used to justify mass deportations, and we're seeing a rise of division and hate crimes. Director Lily Tung Crystal sums up this parallel in the program and the questions that this excellent new play raises: "What lessons from the past must we carry forward to ensure history does not repeat itself? How do we reconcile patriotism with the injustices committed by our own government? And what does it truly mean to be American?" Remembering our history is so important, and what better way to do that than through an engaging and entertaining play? You can learn about and pay homage to these Secret Warriors at the History Theatre in downtown St. Paul through April 19 (click here for info and tickets).

"Red and the Mother Wild" by Transatlantic Love Affair and Illusion Theater at Center for the Performing Arts

This spring, Transatlantic Love Affair is back at Illusion Theater, the artistic partner of this Minnesota Fringe-born physical theater company for a decade and a half. TLA typically debuts new original pieces at Fringe, and then in the next year or two continues to develop and expand the show into a 75-ish minute piece produced by and staged at Illusion. This year, they're remounting/revisiting their 2011 Fringe hit Red Resurrected, which I first saw in 2013 in the expanded Illusion Theater version. Retitled Red and the Mother Wild and with some additional content/themes added, it's still an exquisitely lovely and achingly beautiful piece, as all of TLA's work is. It's essentially a coming of age story of a young orphan girl who finds her purpose in the supposedly dangerous woods, told without any props or set pieces (or shoes), but simply using the voices, bodies, and souls of the talented seven-person cast. Experience the magic that is TLA at Center for the Performing Arts in Uptown through April 12.

"The Show" by E/D at Red Eye Theater

The uniquely special theater partnership known as E/D, comprised of Emily Michaels King and Debra Berger, is remounting their glorious pink explosion of a show entitled simply The Show. Originally scheduled for March 2020, The Show finally premiered in the fall of 2022. And now, two and a half years later, they're bringing it back. As they mention in the intro, a lot has happened in the last two and a half years. They're different, and we're different. The Show may be a little different, but it's pretty close to what I remember of the original, which is and "emotionally raw, thoughtfully executed, and completely engrossing show by two uniquely talented artists, who combine to form a whole greater than the sum of its parts." Read on for my review of the 2022 production (with some slight modifications), and then click here for all of the details and to purchase $20 tickets through April 5 only. I guarantee you will not see a more original Show this year.

"The Mousetrap" at the Guthrie Theater

The world's longest running play has arrived at the Guthrie! Agatha Christie's murder mystery The Mousetrap opened in London's West End in 1952 and has run continuously ever since (give or take a global pandemic). I first saw the play three years ago at Lyric Arts, so it wasn't too far into the Guthrie's delicious new production that I remembered whodunit, but that did not diminish my enjoyment of watching the mystery play out. If you've never seen the play before you are in for a treat, as Christie's well-plotted mystery has a plethora of quirky characters who all have a secret and could be the murderer. But even if you know whodunit, it's a pleasure to watch this dreamy and mostly local cast perform a beloved classic on this gorgeous set. See The Mousetrap on the Guthrie's proscenium stage now through May 13.

"Triassic Parq" by Minneapolis Musical Theatre at LUSH Lounge and Theater

Minneapolis Musical Theatre is back with another rare musical, well done. Triassic Parq is another in the vein of the campy spoof musical (see also Silence! The Musical), which is not my favorite kind of musical, especially when I'm not that familiar with the source material, but it's a lot of fun. This rock musical is a loose retelling of Jurassic Park from the point of view of the dinosaurs. I don't really know the movie (I pretty much only watched it recently when Minnesota Fringe did it for their annual Five-Fifths fundraiser), so I can't speak to the plot similarities or references. But it's probably kind of like what Rosencrantz and Guildenstern Are Dead is to Hamlet (for my fellow theater nerds) - showing us what's going on with the minor characters on the other side of the main action. In this case, those minor characters are dinosaurs, who are also going through some challenges and transitions of their own. Triassic Parq is a celebration of community, friendship, identity, and finding oneself. It's playing Saturdays and Sundays (plus one Monday night pay-what-you-can performance) through April 13 at LUSH Lounge and Theater in Northeast Minneapolis, which is the perfect venue for this show. You can also arrive early and have dinner or brunch in their dining room before heading into the event space for the show.

"Witch" by Walking Shadow Theatre Company at Open Eye Theatre

The new play Witch, by Playwrights' Center affiliated writer Jen Silverman (author of The Roommate and The Moors), is an absurd and funny little play that's difficult to describe. It's a loose retelling of the 17th Century play The Witch of Edmonton, which is based on the real-life case of Elizabeth Sawyer, one of tens of thousands of women accused of and executed for being a witch in the middle ages and early modern era across Europe and the US. But the play also focuses on a wealthy landowner and his heirs, and the idea of selling one's soul to the devil, and things take many unexpected turns. The themes of women's agency, and selling your soul to gain power, make this four hundred year old story scarily relevant. Walking Shadow Theatre Company's production is well-executed in the intimate space of Open Eye Theatre, with a talented six-person cast. Witch continues through April 13 (note: "intimate" means small audience, so don't wait too long - some performances are already sold out).

"The World is Burning, So I Made S'mores" by Brave New Workshop at the Dudley Riggs Theatre

Leave it to Brave New Workshop (the longest running comedy theater in the country) to bring us just the show we need right now, and make us laugh through the fear and uncertainty of this world. A lot of people feel like "the world is burning" (literally in California, metaphorically in wars, mass deportation, endless infuriating executive orders, removal of protection for our most vulnerable people and places), and sometimes it feels like there's nothing we can do about it but "make s'mores." Which in this case means - see a comedy show that makes us laugh. And truly, one of the things that makes this country great, and that we have to protect, is the freedom of our artists to tell stories, make jokes, and poke fun at the current administration, past administrations, and ourselves. If you're looking to escape the troubles of our daily world, this may not be the show for you. And if you think the world is pretty great right now, this may not be the show for you either. But if you want to sit in a room and commiserate and laugh with other humans about the crazy things happening daily, as a way to release a bit of the stress and recharge for the continued fight, then The World is Burning, So I Made S'mores is definitely the show for you. See it at the Dudley Riggs Theatre on Hennepin Avenue weekends through May 17.

"The Light in the Piazza" by Duluth Playhouse at the NorShor Theatre

If no theater in the Twin Cities is going to do the gorgeous musical The Light in the Piazza (at least not in 12 years since Theater Latte Da's wonderful production), I will happily drive two hours to see Duluth Playhouse's production at the historic NorShor Theatre. In fact, if it weren't so hard to get away from my busy theater schedule for a few days (because if I'm going to Duluth, I'm staying for more than just a day or one night), I'd see everything they do. It was more than worth the drive to see this beautiful production of the 2005 multiple Tony-winning musical featuring a stunningly gorgeous score (written by Adam Guettel, grandson of Richard Rodgers of Rodgers and Hammerstein) and a beautifully romantic story, with a twist. The talented mostly Duluth-based cast (led by #TCTheater favorite Kersten Rodau), lush 16-piece pit orchestra, and lovely design transport you to a summer in Italy long ago. If you're in the Duluth area or can make the trip - do it. This is a musical that doesn't get produced very often, and it absolutely shines in this Duluth Playhouse production. But don't wait, the show plays Thursdays through Sundays for two more weekends only.

"Patience" by The Gilbert and Sullivan Very Light Opera Company at the Conn Theater

Just when I think I've seen every Gilbert and Sullivan show, The Gilbert and Sullivan Very Light Opera Company (GSVLOC) introduces me to another silly delight. No, the number of comic operas that this pair created is not infinite, it's 14, but when GSVLOC only does one or two shows a year, it takes a while to cycle through the repertoire. In my ten years of attending GSVLOC shows (they've been around for over 40), I've seen nine different operas and only one repeat (although last fall's The McAdo was such a delightfully unique reworking of The Mikado as to almost feel like a different show). This spring's offering is the ridiculous and delicious Patience, which skewers the aesthetic movement of the late 19th Century. If you don't know what that is, no worries (think Oscar Wilde); the show is basically about the way we mere mortals worship artists and celebrities, to ridiculous extremes. Patience continues weekends through April 6, with a talented onstage cast and offstage orchestra, both too large to count.

"The Book Club Play" at Lakeshore Players Theatre

Sometimes a book can change your life. Sometimes so can a book club. Such is the premise of Karen Zacarías' hilarious play The Book Club Play, which I first saw at Theatre in the Round two years ago* but was more than happy to revisit at Lakeshore Players Theatre. The play is essentially a study of humanity as seen through the very specific phenomenon known as the Book Club, and the life changes brought about in all of our characters through several very eventful meetings. It's also an exploration of books, literature, art, and what makes some worthy and some not, some popular and some not. And are those two things mutually exclusive? You can see the very funny, real, and relatable The Book Club Play at the Lakeshore Players Theatre in lovely downtown White Bear Lake through March 23 only.

Broadway tour of "Dear Evan Hansen" at the Ordway Center

The second Broadway tour to come to the Ordway in as many weeks (and the second tear-jerker), Dear Evan Hansen is back in town for one week only! The 2017 Tony Award-winning musical was last seen at the Orpheum in 2019, and seeing the show again last night I was reminded just how good it is. When it premiered in 2017 it was so modern and relevant and almost revolutionary in the way it depicted the effects of social media on young people. Now, eight years later, some of the specifics of the technology have changed (Tik Tok and Snapchat and who knows what else have replaced Facebook and Twitter), but what hasn't changed is the power of social media to both join us together, and to further bullying and abuse. This musical also deals with mental health issues and suicide among our youth, which is still a very concerning problem. The power of musical theater is that it can bring awareness of these issues to the general public, as well as reach struggling individuals in a visceral way, and maybe help them to feel less alone, to reach out for help, to live for the promise of a better day. You, too, can be found at the Ordway Center in downtown St. Paul through March 16.

"Invisible Fences" at Open Eye Theatre

There's something really special happening at Open Eye Theatre right now. They're remounting the 2023 show by Gaelynn Lea and Kevin Kling, a "musical fable" that celebrates diversity culture. And not only sharing the work of disabled artists, but creating a welcoming environment for disabled people to enjoy the arts. I saw more people of varying abilities in the sold-out audience at last night's show than I've ever seen at the theater. Which makes me wonder, what can other theaters do to make their work and their spaces not just more accessible, but more welcoming to the disabled community? But regardless of what your abilities are, Invisible Fences is an utterly charming, engaging, funny, poignant musical about friendship and accomplishing seemingly impossible goals by working together. This short run is almost sold out, so act fast to witness the magic at Open Eye Theatre.

"The Messenger" at Six Points Theater

I don't know when Six Points Theater decided to produce the new play The Messenger by Playwrights' Center affiliated writer Jenny Connell Davis as part of their 30th season, but it really could not come at a better or more relevant time. But let's face it, anti-Semitism has never gone away, racism has never gone away, hate has never gone away. It feels like as long as there are humans on this planet, this story will be relevant. The inter-related stories of four women are woven together in this riveting 80-minute play, centered around the true story of Holocaust survivor Georgia Gabor, who faced anti-Semitism as an 8th grade math teacher a wealthy community in California in the '80s and '90s, simply because she told her story. She believed that she survived, escaping from the Nazis three times, in order to share her story, to be a messenger. She died in 1994, but she continues to be a messenger through this wonderful and moving play, and thanks to Six Points for bringing us this message that we have to be vigilant, we have to stand up for injustices big and small wherever we see them, because it absolutely could happen here. Go see The Messenger at Six Points Theater's Highland Park space through March 23 only.

"Proof" at Gremlin Theatre

The 2001 Tony winner for Best Play, Proof ran for two and a half years on Broadway, had a national tour (rare for a non-musical), and was adapted into a 2005 film starring Gwyneth Paltrow and Jake Gyllenhaal. There have been several local productions, but not in 5+ years, so it was time to revisit this brilliant play, and thankfully Gremlin Theatre is doing just that. I fell in love with the play when I saw it on tour 20+ years ago; in contrast to my current nearly 15 years as a theater blogger, I was a math major, so I love all of the math references and discussions of proofs and higher mathematics. But it wasn't just math nerds who made this play so popular. Despite the fact that I like to call Proof my second* favorite math play, it's about so much more than math. It's about family dynamics, caring for aging parents, relationships between very different siblings, mental illness, and what we inherit from our parents vs. making our own life separate from them. As per usual, Gremlin's production is practically perfect in every way - an excellent cast, clear direction, and spot-on design. See it in their Vandalia Towers theater (in St. Paul's Midway neighborhood) between now and March 30, and for one of the best and most convenient dinner-and-a-show pairings in town, visit Lake Monster Brewing in the same building, where you can now order delicious OG Zaza pizza from across the patio (bonus: as spring weather arrives, you can enjoy your beer and pizza al fresco).

"Hundred Days" by Theatre Elision

What would you do if you only had a hundred days to live? What if you had just met your person, only to be told that they only had a hundred days to live? Such are the questions posed by NYC-based husband/wife singer/songwriter duo Abigail and Shaun Bengson (who, spoiler alert, lived more than a hundred days after meeting and are in fact still living). They wrote (with book writer Sarah Bancher) and performed in the autobiographical concert-style musical Hundred Days, and now Theatre Elision is bringing us the #TCTheater premiere. It's a lovely and haunting 80-minute musical with a fantastic folk-rock score, performed by a talented cast/band. As always, if you're looking for a rarely done musical that's new and interesting and different, instead of the same old fare, head to Elision Playhouse in Crystal (continuing through March 22).

Broadway tour of "Come From Away" at the Ordway Center

Every time I see the 2017 Tony-nominated* musical Come From Away, I love it even more. I saw it for the 5th time last night, and its themes affected me even more deeply now in this time we're living in. A time when the ideals that many of us hold dear - compassion, empathy, kindness, equality, justice - are being attacked, ideals that are so beautifully expressed in this one-of-a-kind musical. As I wrote when the tour came through the Ordway last summer, Come From Away is "the perfect marriage of music, text, and performance, brilliantly constructed into 100 solid minutes of constant storytelling, flowing from music to dialogue and back again, with only two applause breaks to break the spell. And the story it tells is remarkable: the heart-warming true story of how the people of Gander, Newfoundland welcomed 7000 strangers when their planes were diverted there on 9/11. Canadian married couple Irene Sankoff and David Hein (and producer Michael Rubinoff) have woven the true stories from dozens of people who were there, gathered at the 10th anniversary in Gander. Now, past the 20th anniversary of the unfathomably horrific events of that day, and the extraordinary actions of ordinary humans in its wake, this musical continues to be necessary. It reminds us that despite what we see on the news every day, the human capacity for good knows no bounds, if only we could remember that we all have the same wants and needs, and helping each other is the only way through." These words that I wrote nine eventful months ago strike an even deeper chord now. If you need to be reminded of the good in humanity, do not miss Come From Away, which is only here through Saturday! Keep reading for my review of last year's tour, with a few updates.

"Groucho Marx Meets T.S. Eliot" by Illusion Theater at Center for Performing Arts

Comedian Groucho Marx. Poet T.S. Eliot. Two influential artists of the 20th Century that probably no one would put in the same sentence together, much less the same play. But they had a brief pen-pal relationship (after Eliot wrote Groucho a fan letter asking for a photo) and met once for dinner at Eliot's home in London. Not much is known about the dinner, which gives playwright Jeffrey Hatcher free reign to imagine it in a clever, funny, acerbic, fourth-wall breaking way. Groucho Marx Meets T.S. Eliot is a highly entertaining 75 minutes of theater that digs a little bit deeper into these two enigmatic figures and their possible relationship (continuing through March 15).

"The Effect" at Jungle Theater

In my day job, I work in clinical trials. I'm not a researcher in the clinics working with patients, I sit at home in my living room analyzing the data they collect. But still, the themes and situations in the brilliant play The Effect are familiar and fascinating to me. Written by Lucy Prebble, a writer and executive producer on the brilliant and brutal HBO show Succession, the play asks thorny and relevant questions about the ethics of clinical research, for-profit pharmaceutical companies, and the health care industry in general. It also explores the very stuff that makes us human, our feelings and emotions, and if that resides in our brain, or in our heart, or in situations or the substances we're taking. (If you're getting Severance vibes, you're not alone.) In short, The Effect is my favorite kind of play - smart and thought-provoking, asking difficult questions and not answering them, populated with complex, interesting, and engaging characters. And as expected, Jungle Theater's production really couldn't be better, with a fantastic four-person cast and spot-on design. If you like smart, thoughtful, relevant plays, The Effect is not to be missed (continuing through the end of March).

"Fifty Boxes of Earth" by Theater Mu at Park Square Theatre

The world premiere new play Fifty Boxes of Earth tells the story of a nonbinary immigrant who moves into a community and begins to plant a magical garden to establish literal and figurative roots. Theater Mu could not have known just how timely and important this story would be when they planned it as part of their season, with Trans Rights being threatened and immigrants being deported seemingly with no cause. This story puts a very human face on the immigrant or outsider experience, using magical realism, dance, puppetry, and some theater magic to evoke emotion. See it at Park Square Theatre in downtown St. Paul through March 16 only.

"The Rainmaker" at Lyric Arts

The classic play The Rainmaker is like a mix of The Glass Menagerie and The Music Man, set in a rural area beset by drought during the Depression. There's the family daughter who's a bit different that everyone is trying to "marry off," and the charming con man who sweeps into town and brings new life and hope to the community. It's a beautiful and bittersweet story about a woman finding her confidence and self-worth through the eyes of a stranger. Experience the wonder of the long-awaited rain in Lyric Arts' new production, featuring a talented cast and lovely design, continuing through March 23.

"Tolkien" at Open Window Theatre

Five years ago today, I landed in New Zealand for my second visit to this magical land that I fell in love with (as many of us did) watching Peter Jackson's The Lord of the Rings trilogy. A story that I first encountered when my aunt gave me The Hobbit for my 12th birthday. For nearly 40 years I have continued to read and re-read J.R.R. Tolkien's masterpiece, finding new inspiration in it every time. Open Window Theatre was scheduled to produce the U.S. premiere of Tolkien, by Canadian playwright Ron Reed, shortly after my return from New Zealand in the spring of 2020. We know how that story goes, but happily, they are finally bringing this beautiful story of Tolkien and his friendship with C.S. Lewis to their intimate stage. It's a must-see for fans of Tolkien and/or Lewis, but even if you've never read The Lord of the Rings or The Chronicles of Narnia, you still might enjoy this play about friendship, faith, loss, literature, myth, and inspiration. Tolkien plays weekends through the end of March at Open Window Theatre in Inver Grove Heights.

"This Girl Laughs, This Girl Cries, This Girl Does Nothing" by Ten Thousand Things at Open Book

This Girl Laughs, This Girl Cries, This Girl Does Nothing, and this girl does all three and loves it! For their current production, Ten Thousand Things has found a fairy tale gem of a play that feels like it was written for their "All the Lights On" barebones straight-to-the-heart storytelling style. And it feels like it was written for this excellent five-person cast, so natural and rich and true are their performances. The story feels like a myth or a legend that could have been told around campfires for centuries, about three sisters - triplets - whose happy childhood is interrupted by tragedy, which sets them on three separate paths that eventually come back together again. This Girl is funny and sweet and heart-warming and joyful, in a way that only TTT shows can be. The show moves to Hennepin Avenue United Methodist Church this weekend (an easy-to-get-to location near the Walker, with a free parking lot) and continues through March 16. Don't miss it!

"Legacy of Light" at Theatre in the Round

A historical fiction rom com featuring female scientists? Sign me up! Playwright Karen Zacarías' Legacy of Light, now on stage at Theatre in the Round, is just my kind of play. It has a little of everything - comedy, romance, history, philosophy, poetry, science, fantasy, love, grief. The true story of 18th Century French mathematician and physicist Émilie du Châtelet is told alongside of the story of a fictional modern female scientist, the two stories speaking to each other in expected ways. A smart and funny play about smart, funny, strong women, their ambitions and accomplishments, as well as the obstacles they face because of their sex, is just what we need right now. See this lovely production at Theatre in the Round weekends through March 16.

"Romeo & Juliet" by Collide Theatrical at Luminary Arts Center

My second Romeo and Juliet of Valentine's Day Weekend (and my 17th lifetime), was a steampunk dance version. And there's no one I would trust to do a steampunk dance version of this classic tragic love story other than Collide Theatrical. They first interpreted R&J in 2014, with two actors reciting some of the dialogue interspersed with dance scenes, which didn't always work. At the time I wrote, "I would love to see them go all the way with the concept and tell the story strictly through dance with little to no dialogue." And that's what they've done here, to great effect. (They also did a version of this show in February 2020 but I missed it, I guess I was too busy in those blissful pre-pan days.) After a bit of an introduction, we're off on the dance train, with the main plot points clearly told through movement and dance (it probably helps that the story is so familiar). Collide's Romeo & Juliet plays for one more weekend at the gorgeous Luminary Arts Center. And if you're on the fence about whether or not to see this oft told story again, here are ten reasons you should.

"Paradise Blue" at Penumbra Theatre

In 2015, Penumbra Theatre produced Dominique Morisseau's Detroit '67, the first of her three-play series known as The Detroit Project, set in her hometown. Now almost ten years later, they're bringing us the second play in the series, Paradise Blue. In between they've produced a few other plays by Morrisseau, and we've seen the final Detroit play Skeleton Crew at Yellow Tree and the Guthrie (directed by Austene Van who was in Detroit '67). So if you're an avid #TCTheater goer, this is your long-awaited chance to complete this trilogy. But don't worry if you haven't seen any of the others; the three plays are stand-alone, set in different decades and featuring different characters and storylines. But what they have in common is the beautifully real and relevant way they explore Black culture in Detroit specifically, and in America as a whole. From the 1967 Detroit Riot, to the closing of an auto plant in the late aughts recession, and in this play - a jazz club in the late '40s. A fantastic cast and stunning design bring this powerful story to vivid life on Penumbra's stage, continuing through March 9.

"Romeo & Juliet" and "Beauty & the Beast" by /novel/ at the Southern Theater

A new company is bringing us a new twist on two classic love stories. Shakespeare's tragedy Romeo and Juliet and the French fairy tale turned Disney movie Beauty and the Beast don't seem to have much in common, but this double feature by /novel/ draws surprising and satisfying parallels between the two stories. And the best part is that if you see them both, after the tragedy of Romeo & Juliet the doomed lovers are reincarnated as Beauty & the Beast in a story that's all about transformation and truly seeing each other, with a chance for a happy ending. Both stories are told with a minimalist and modern style that may look familiar; this production marks the #TCTheater return of New Epic Theater's visionary Artistic Director Joseph Stodola, now based in Brooklyn and credited as Joseph Williams. Like all of New Epic's work, these two plays are gorgeous and tragic, but with a little bit of joy as Beauty finds her Beast prince. This is a short run and I caught it on its final weekend, so only three performances of the pair of plays remain. You can see them individually, but I recommend seeing both because this is definitely a situation where the whole is greater than the sum of its parts. Each piece stands on its own, but seen together creates a much deeper experience. Click here for info and tickets (note: if you're seeing both plays, you can purchase them individually, or as a package that includes drinks and bites during the 30-minute intermission between plays).

"A Midsummer Night's Dream" at the Guthrie Theater

A Midsummer Night's Dream is probably my favorite Shakespeare play. Partly because it's also probably the one I've seen the most on stage (this is my 10th time seeing it, and my 7th time writing about it in my almost 15 years as a Twin Cities Theater Blogger), but also because it's really the perfect rom com, with a little bit of everything. In his final season as the Guthrie's Artistic Director, Joe Dowling staged a memorable in-the-round production in 2015, and now current Artistic Director Joseph Haj is bringing us his version of this classic. I was lucky enough to attend the first meet-and-greet with the cast and creative team back in early January, when Joe talked about what the show means to him. He staged it at Oregon Shakespeare Festival in March 2020, and we know how that story goes - the show only had a few performances before being cancelled due to the pandemic. So this is a re-do of sorts, even bringing a few cast and creatives back. But this is a fresh, new Midsummer, bringing a bright warm glow to the Guthrie stage now when we need in most in this bleak, dark Midwinter. It's a delightful production full of heart, humor, and hope, and more music than any previous Midsummer I've seen. Whether you've never seen Midsummer before (where have you been?) or you've seen it a dozen times, here are ten reasons to see the Guthrie's new production of A Midsummer Night's Dream:

Broadway tour of "Hadestown" at the Orpheum Theatre

It's an old song. It's a sad song. But we sing it anyway. Such is the song of Hadestown, the 2019 Tony winning best musical that's returning to Minneapolis this week. Three years since the last time I saw* it and it's even more meaningful and powerful in light of the state of the world right now. This brilliant musical written 15+ years ago speaks to the struggles of the working class and the dangers of a despotic ruler in a way that strongly resonates in 2025. These themes are explored through the story of Hades and Persephone, whose relationship is responsible for the changing of the seasons (according to Greek mythology), as well as Eurydice and Orpheus' tragic love story. Singer/songwriter Anaïs Mitchell turned this sad old song into a song cycle, a folk opera which she first recorded with some of her folk singer friends in 2010 (which I heard her perform at the loveliest little folk festival in Minnesota, Storyhill Fest). It took almost a decade to turn that song cycle into a Broadway musical, with help from visionary director Rachel Chavkin. The result is this stunning piece of music-theater that's wholly unique and original. I was lucky enough to see it on Broadway (where it's still playing), and now twice on tour. Because even though we know how this song ends, as long as they keep singing it I'll keep listening with rapt attention. Experience the song of Hadestown at the Orpheum Theatre in downtown Minneapolis through Sunday only (click here for info and tickets, including student/educator rush).

"The One-Woman Playwright Festival" at Yellow Tree Theatre

For the month of February, Yellow Tree Theatre is bringing us a new play by a local female playwright every weekend in "The One-Woman Playwright Festival." I would love to be able to see every one of these plays, but they're only having two readings of each, and in this busy month of February that just wasn't possible. But I definitely made time to head to Osseo last weekend to support my friend and fellow Twin Cities Theater Blogger Mary Aalgaard from Play Off the Page. She's a playwright, actor, piano teacher, and music director in the Brainerd area (who drives to the Cities to see and review theater - and people think I'm dedicated!). Read on for a little more about her play It's Murder, Dontcha Know, and then check out one (or both) of the final two plays in the series (by #TCTheater artists Jamecia Bennett and Thomasina Petrus, the first play was by George Keller).

"School Pictures" by Theatre Latte Da at the Ritz Theater

Although their new production School Pictures wasn't developed at or created by Theater Latte Da, it fights right in with the kind of music-theater they're known for: forward-thinking boundary-pushing work that explores and expands the idea of what music-theater can be and do. In a note in the program, Artistic Director Justin Lucero wrote, "I knew that my very first season of programming needed to include something that didn't fit neatly in the traditional musical theater mold. Or ideally, blow the mold right open." Mission accomplished. Playwright/ composer/ lyricist/ performer Milo Cramer recently performed School Pictures Off-Broadway to rave reviews (and an Obie Award), and we're so fortunate that Latte Da brought him here to do the show at the Ritz Theater in this cold, snowy February. It's something so smart, so funny, so original, so tragic, and so very relevant. If you're interested in a different kind of musical that'll make you laugh, think, and feel, that's engaging and entertaining and surprising, that's only 75 minutes long - do not miss this show (continuing through March 2).

"Grease" at the Chanhassen Dinner Theatres

I'd been looking forward to the opening night of Grease at the Chanhassen Dinner Theatres for weeks, months even. It's always the best press night in town - free food and drinks, a welcoming and celebratory atmosphere, the bloggers are seated at a table together, and it's always a high quality production - and Grease is a classic and always fun show. But everything changed two days before opening when it was announced that Michael Brindisi, longtime Artistic Director and co-owner since 2010, died suddenly after a brief illness. It's a devastating loss for his family (including wife Michelle Barber, daughter Cat Brindisi, and son-in-law David Darrow, all of whom are talented and beloved members of the #TCTheater community in their own right), the people he's worked alongside of for decades, artists he's mentored and to whom he's given life-changing opportunities, and those of us in the larger community who know him mostly through his work. But it's eerily fitting that he died doing what he loved - directing a musical that meant so much to him, that started his career when he was cast in a tour in the 70s. And it also felt appropriate that while that grief and shock is fresh in all of our minds and hearts, we were able to gather in a room and be together, laugh together, cry together, celebrate his life and legacy together. Grease is scheduled to run through early October, followed by a remount of White Christmas which he directed just previous to this show, so whatever the future of Chanhassen Dinner Theatres looks like, his work will live on on that stage for the next year through these shows, and forever in the community that he created and the culture he fostered (which by all accounts is welcoming and respectful and supportive) and the artists he inspired. I can't imagine what it was like for the cast to go on and perform this show the night that they heard their leader was gone, and the next night, and the next. But rest assured that this cast is giving their whole hearts, souls, gorgeous voices, comedic chops, and hand-jiving bodies to this show to make their leader proud, and I know he is.

"The Gin Game" at Park Square Theatre

After a couple of big shows (the world premiere mystery Holmes/Poirot and the joyously chaotic The Best Christmas Pageant Ever!), Park Square Theatre's return season continues with something a little smaller and more intimate, but no less affecting. The two-hander The Gin Game won the Pulitzer Prize in 1978 and has starred some legendary pairs (including original Guthrie company members Jessica Tandy and Hume Cronyn, and Cicely Tyson and James Earl Jones). It's being brought to life on Park Square's Andy Boss Stage by some local legends. It's a sweet and salty little play (that would make a great 90-minute-no-intermission show if not for the intermission) with masterful performances by Greta Oglesby and Terry Hempleman that are a joy to watch. The Gin Game plays Thursdays through Sundays until February 23 at Park Square Theatre, with James Rocco's Songbook Series: Broadway in Love happening upstairs in the main theater on Valentine's weekend.

"The Root Beer Lady" at the History Theatre

History Theatre is currently remounting their 2023 original play The Root Beer Lady, in which playwright/performer Kim Schultz so beautifully captures the spirit of the Boundary Waters Canoe Area Wilderness (BWCAW) and the inspiring life and personality of Dorothy Molter, the last non-indigenous human living in the BWCAW. The Saturday Evening Post once called her "the loneliest woman in America," but throughout the play Dorothy shows us why, in fact, she was "the luckiest woman in America," because she lived an authentic life that was exactly what she wanted, despite society's and her family's expectations of what a proper young woman should do. Whether or not you have a personal connection to the BWCAW like I do (click here to read about that), The Root Beer Lady will engage and entertain you for 80 minutes or so, make you laugh, and maybe even inspire you to go for a hike, look up at the trees, or jump in a lake (continuing through February 23).*

"Sanctuary City" by Frank Theatre at Open Eye Theatre

Just about a year ago, Frank Theatre introduced the work of Polish-American Pulitzer Prize-winning playwright Martyna Majok to #TCTheater with the play Ironbound, about which I wrote, "It's only mid-January, but I'm confident this will be one of the best plays of 2024." That statement proved to be true; Ironbound did indeed make my list of 2024 favorites, and was nominated for five Twin Cities Theater Blogger Awards (winning one). Frank was smart to go back to that well and bring us another Majok play this year. Sanctuary City is another powerful and timely drama with fantastic performances by the small cast, spot on design, and impeccable direction. See it Thursdays through Sundays at Open Eye Theatre until February 23 (note: Open Eye is a small space and some performances are already selling out, so don't wait too long to get your tickets to see what could be one of the best plays of 2025!).

"'Til Death" by Bucket Brigade at Art House North

Bucket Brigade's original "marriage musical" 'Til Death returns for its 13th season! This was my 5th time seeing the show (counting a virtual version during the pandemic), and I was happy to spend a little time with old friends. Written by Bucket Brigade's married co-founders Vanessa and Jeremiah Gamble, and starring them and another married couple of #TCTheater artists (Anna and Damian Leverett whom I saw, alternating with Stephanie and Nathan Cousins) it's silly and sweet, over-the-top yet grounded in the reality of relationships. And while it would be (and has been) a perfect 90-minute-no-intermission show if not for the intermission, when they give me a cupcake and host a mini-concert* during said intermission, I'll allow it. 'Til Death plays Fridays and Saturdays through February 15 (plus one Monday night pay-as-you're-able performance featuring the full cast) at the charming and cozy Art House North in St. Paul's West 7th neighborhood, with two great restaurants within walking distance - Mucci's Italian and A-Side Public House (tip: make reservations).

"Tristan Tzara Was My Best Friend in Junior High" at Mirror-Lab

And now for something completely different: Tristan Tzara Was My Best Friend in Junior High. The subtitle of this odd and charming little play is "A dinner party ritual," and that's exactly what it is. It's been around in various incarnations for about ten years, but this was my first experience with it. I'd tell you to go see it if you're looking for a different kind of theater experience, but there are only four performances and it's sold out (self-produced by the artists). Here's hoping they'll bring it back again - follow this website for more info.

Improv at the Jungle: "Off-Book"

With the recent closure of HUGE Theater, your Uptown home for improv for 15 years, local improv troupes and shows are needing to find new venues at which to perform. Jungle Theater, just blocks away from HUGE, has stepped up to be one of those venues. They have a new series called "Improv at the Jungle," with a group called The Neighborhood performing regularly, as well as a show called Off-Book, hosted and co-directed by Sean Dillon and Isabella Dunsieth. I saw the latter this week and I just may have a new favorite improv show! Keep reading for why, and make plans to see their next performance on March 3. Visit the Jungle website for info and tickets to all of their improv shows. You can also see improv at Strike Theater in Northeast Minneapolis, The Hive Collaborative in St. Paul, Brave New Workshop (which hosted the long-running show Family Dinner in December), and other locations around town. Visit this website for a list of improv events in the Twin Cities.

"Sweet Charity" at Artistry

Artistry is beginning their 2025 season in a similar fashion as their fantastic 2024 season: a classic musical staged almost like a concert with a full orchestra on stage, and fabulous dancing in front of it. The 1966 Broadway musical Sweet Charity, adapted into a movie in 1969 starring Shirley MacLaine, is an excellent choice for this type of treatment; it almost feels like a series of vignettes about a NYC dance hall hostess in the '60s, rather than one continuous story with beginning, middle, and end. The strengths of this Bob Fosse show truly are the music and dancing, with a story about a "dance hall girl" looking for love in all the wrong places and continually being rejected that feels a little dated. So why not put the focus on the music, dancing, and performances of this terrific cast? The result is an absolutely smashing production that soars with one big music-and-dance number after another. Sweet Charity continues at the Bloomington Center for the Arts through February 16.